December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great ...
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December 1897, Paris. Edmond Rostand is not yet thirty but already two children and a lot of anxieties. He has not written anything for two years. In desperation, he offers the great Constant Coquelin a new play, a heroic comedy, in verse, for the holidays. Only concern: it is not written yet. Ignoring the whims of actresses, the demands of his Corsican producers, the jealousy of his wife, the stories of his best friend's heart and the lack of enthusiasm of all those around him, Edmond starts writing this piece which nobody believes. For now, he has only the title: "Cyrano de Bergerac".Written by
Edmond is a project that Alexis Michalik has been wearing for more than fifteen years. The first hit came in 1999 when he saw Shakespeare In Love in which John Madden, based on real facts, tells how, thanks to a pretty muse, the young Shakespeare, then riddled with debt, finds inspiration and writes his greatest masterpiece, "Romeo and Juliet". See more »
During the credits there are clips showing actors portraying Cyrano on film. There's also pictures of the real life people of the movie. See more »
Some of the best, most innovative and some of worst, most narcissistic film (lr play) has been "play within a play" premise. I understand the writer of Edmond was attempting to copy the idea of "Shakespeare in Love."
Ultimately though the result is not engaging, or coherent. The premise is good, the result is not. Th dialogue is nowhere near as engaging as Rostand's own work. And the structure and direction don't reflect any talent. I
The cinematography and costumes are good. The actors are not without talent. But it just doesn't work
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