An impoverished preacher who brings hope to the Miami projects is offered cash to save his family from eviction. He has no idea his sponsor works for the FBI who plan to turn him into a criminal by fueling his madcap revolutionary dreams.
Laure de Clermont-Tonnerre's feature film directorial debut. She developed Mustang through the Sundance Labs and received the Sundance Institute/NHK Award for the project in 2015. See more »
At the auction in the film, it's stated a horse is sold to the "Las Vegas Police Department." There is no such organization; Vegas' police force is known as the "Las Vegas Metropolitan Police Department" (LVMPD for short). See more »
When I was six, I, uh, started to write letters of support to your parole board. But your parole was always denied, so I thought it was my fault that you were still in prison, because I wasn't a good enough writer. Then, when I got older, I understood. You didn't want to get out. So I stopped writing. I kept one of those letters. "My dad is fun. Send him back home".
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II Prelude to Love
Written & Performed by Helmuth Brandenburg, Gerhard Narholz (as Otto Sieben) & The Philharmonic Pop Orchestra
Courtesy of APM Music
Published by Vivatone Editions (GEMA)/Sonoton APM (ASCAP) See more »
Without unduly spoiling the script, Roman Coleman (Matthias Schoenaerts) is incarcerated for aggravated violence. After a decade in prison, most under total isolation, he has the opportunity to benefit from a rehabilitation program involving the training of wild mustangs. But before controlling a wild animal such as a mustang, first you must be able to control yourself. And that's definitely the point. Thus, we see Roman (the prisoner) and Marquis (the mustang) taming to each other, as the fox and the little prince (Antoine de Saint-Exupéry, 1943).
The script is predictable and the taming phase is described as elliptically as naively, but we can easily cope with this secondary observation. Moreover, the cast is excellent, the Belgian actor Matthias Schoenaerts enjoying a legendary charisma and a remarkable aura. He is also perfectly seconded by Jason Mitchell and Bruce Dern. In fact, I was particularly moved by the message of hope transpiring throughout the entire film, a prison being generally reduced to the single status of « let's hide the dust under the carpet », that is to say that as long as the scum is in jail, the society will feel better (it is certainly a plus) but without really worrying about the after-jail (that's weird, isn't it?)
As a synthesis: a lovely tale brimming with beneficence, philanthropy and humanity. 7/8 of 10.
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