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Three Billboards Outside Ebbing, Missouri (2017)

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A mother personally challenges the local authorities to solve her daughter's murder when they fail to catch the culprit.

Director:

Martin McDonagh

Writer:

Martin McDonagh
Popularity
353 ( 18)
Top Rated Movies #147 | Won 2 Oscars. Another 121 wins & 222 nominations. See more awards »

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Cast

Cast overview, first billed only:
Frances McDormand ... Mildred
Caleb Landry Jones ... Red Welby
Kerry Condon ... Pamela
Sam Rockwell ... Dixon
Alejandro Barrios ... Latino
Jason Ledford Jason Ledford ... Latino #2
Darrell Britt-Gibson ... Jerome
Woody Harrelson ... Willoughby
Abbie Cornish ... Anne
Riya May Atwood Riya May Atwood ... Polly
Selah Atwood Selah Atwood ... Jane
Lucas Hedges ... Robbie
Zeljko Ivanek ... Desk Sergeant
Amanda Warren ... Denise
Malaya Rivera Drew ... Gabriella
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Storyline

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award nominee Martin McDonagh (In Bruges). After months have passed without a culprit in her daughter's murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town's revered chief of police. When his second-in-command Officer Dixon (Academy Award winner Sam Rockwell), an immature mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement is only exacerbated. Written by Fox Searchlight Pictures

Plot Summary | Plot Synopsis

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for violence, language throughout, and some sexual references | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

UK | USA

Language:

English

Release Date:

1 December 2017 (USA) See more »

Also Known As:

Three Billboards See more »

Filming Locations:

Asheville, North Carolina, USA See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$322,168, 12 November 2017

Gross USA:

$54,513,740

Cumulative Worldwide Gross:

$159,210,164
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The film was screened in the main competition section of the 74th Venice International Film Festival, where it premiered on September 4, 2017. It also played at the 2017 Toronto International Film Festival, where it won its top prize, the People's Choice Award. This film was also screened at the Mar del Plata International Film Festival. See more »

Goofs

When the dentist said that Mildred's wobbly tooth had to come out, he started to drill. You don't pull teeth with a drill. See more »

Quotes

[first lines]
Mildred Hayes: [walking into his office] You Red Welby?
Red Welby: Yes, ma'am. How may I help you?
Mildred Hayes: I heard there's three billboards out on Drinkwater Road. You're in charge of renting them out, that right?
Red Welby: I didn't know we had any billboards out on Drinkwater. Where is Drinkwater Road?
Mildred Hayes: It's a road out past the Sizemore turn-off. Nobody uses it since the freeway got put in.
Red Welby: You are right. Got three billboards out there. Nobody's put nothing up out there since 1986. That was 'Huggies'.
Mildred Hayes: How much to rent out all...
[...]
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Soundtracks

Radio Song
Written by Ian Felice, Josh Rawson, James Felice, Gregory Farley, Simone Felice
Performed by The Felice Brothers
Published by BMG Rights Management UK Ltd., a BMG Company and Rough Trade Publishing
By arrangement with Bank Robber Music
Courtesy of Loose Music/ New York Pro Records
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User Reviews

 
Cinema about hope and search for justice
5 June 2018 | by BiiivALSee all my reviews

The drama of Martin McDon, known primarily for his ability to violate the foundations of modern drama, can easily be considered one of the best in the outgoing year.

In the center of the picture is the mother of the deceased girl, seeking justice and justice in a rather cynical manner and the unquenchable hope for which is the meaning of life, along with a single son and a worn blue overall.

"Where is the cliche?" - I thought, and already on the 10th minute of the movie I stopped speculating about the development of events and trying to predict the replicas and actions of the characters. This unpredictable plot was not in my memory for a long time, considering that all the events taking place for nearly two hours (and there were an unlimited number of them) surprise with their surprise and sometimes absurdity.

The non-linear structure of the film makes the viewer systematically ask the question, "What will be the end?", But "What will happen tomorrow?". The same question is asked to themselves and all the characters: the divorced mother Mildred, who is already desperate to find justice, ultimately lives by today and actually loses the intelligible for herself and for the surrounding purpose, humiliating the policeman and accusing them of racism, sexism and other " ". Sheriff Willoughby, who learned that he has cancer, does not know what will happen to his reputation after his death. The sheriff's widow does not know what will happen to her daughters. The assistant to the sheriff Dixon sits up his pants and reads comics, having no motivation, no prospects, nothing.

The appearance of three billboards in Ebbinge literally leads this small town into a rage. The hunt for Mildred is accompanied by violence on the screen, both from her side and from her ill-wishers (scenes in the dentist's office, as well as in the advertising firm). Even the church involved in the scandal gets gets on the forehead of Martin McDonagh, who calls her "a criminal group" and "lovers of little boys, and in general, boys." The whole town shows all the dirt, like a fish, rotten from head to tail, stinks of hypocrisy.

Thus, the unyielding willpower of the heroine Francis McDormand and her motivation, which at some point is questioned, makes the actress, perhaps, the main nominee for the Academy Award. And the abundance of all sorts of characters (including the hero of Sam Rockwell), well-designed, but sometimes fantastic scenario and satire on acute social problems (racism, sexual harassment, police lawlessness, etc.) make the Three Billboard reflect modern disgusting reality and valuable ( if not the most expensive) coin along with Bruges and the Seven Psychopaths in the treasury of the talented Martin McDonagh.

Bravo, McDonagh!


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