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Lion (2016)

PG-13 | | Biography, Drama | 6 January 2017 (USA)
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2:34 | Trailer
A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he sets out to find his lost family.

Director:

Garth Davis

Writers:

Saroo Brierley (adapted from the book "A Long Way Home" by), Luke Davies (screenplay by)
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610 ( 317)
Nominated for 6 Oscars. Another 59 wins & 97 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sunny Pawar ... Young Saroo
Abhishek Bharate ... Guddu
Priyanka Bose ... Kamla
Khushi Solanki Khushi Solanki ... Young Shekila
Shankar Nisode Shankar Nisode ... Shankar
Tannishtha Chatterjee ... Noor
Nawazuddin Siddiqui ... Rama
Riddhi Sen ... Café Man
Koushik Sen ... Police Official
Rita Boy ... Amita
Udayshankar Pal Udayshankar Pal ... Liluah Teacher (as Uday Shankar Paul)
Surojit Das Surojit Das ... Shonedeep / Haunted Boy
Deepti Naval ... Mrs. Sood
Menik Gooneratne ... Swarmina
David Wenham ... John Brierley
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Storyline

In 1986, Saroo was a five-year-old child in India of a poor but happy rural family. On a trip with his brother, Saroo soon finds himself alone and trapped in a moving decommissioned passenger train that takes him to Calcutta, 1000 miles away from home. Now totally lost in an alien urban environment and too young to identify either himself or his home to the authorities, Saroo struggles to survive as a street child until he is sent to an orphanage. Soon, Saroo is selected to be adopted by the Brierley family in Tasmania, where he grows up in a loving, prosperous home. However, for all his material good fortune, Saroo finds himself plagued by his memories of his lost family in his adulthood and tries to search for them even as his guilt drives him to hide this quest from his adoptive parents and his girlfriend. Only when he has an epiphany does he realize not only the answers he needs, but also the steadfast love that he has always had with all his loved ones in both worlds. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

The Australian true story of a life lost and found See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic material and some sensuality. | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Site | Official Site [Japan] | See more »

Country:

UK | Australia | USA

Language:

English | Hindi | Bengali

Release Date:

6 January 2017 (USA) See more »

Also Known As:

A Long Way Home See more »

Filming Locations:

Hobart, Tasmania, Australia See more »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend USA:

$123,360, 27 November 2016

Gross USA:

$51,738,905

Cumulative Worldwide Gross:

$140,312,928
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Impressed by director Garth Davis' stunning work on the 'Top of the Lake' television series, producers Emile Sherman and Iain Canning didn't hesitate to offer him the opportunity to direct this movie. Sherman said: "We followed our instincts. We felt Garth, although he hadn't yet made a feature film, was exactly the right director for the film. He's incredibly cinematic and can create real visual scope. At the same time he's just brilliant with actors. He creates such intimacy in his work and we wanted to make sure this felt raw and real." See more »

Goofs

Saroo's train is shown passing a thumbs-up shaped hill in the distance. This hill is located near Ankai in Maharashtra. A train from Khandwa to Calcutta would not pass Ankai as it is in the opposite direction, towards Mumbai. See more »

Quotes

[Saroo is picking up large and small rocks for his mother as she encourages him]
Kamla: achchha bachcha...
[which means... good boy]
See more »

Crazy Credits

There is no opening title card, only opening credits; the title card doesn't appear until the end. See more »

Connections

Referenced in Film 2017: Episode #46.1 (2017) See more »

Soundtracks

Aaja Nindiya Aaja Nainan Beech Sama Ja
Written by Khayyam
(Saregama India/Mushroom Music)
Performed by Lata Mangeshkar
Licensed courtesy of Saregama India
See more »

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User Reviews

 
Waiting for Guddu...
26 February 2017 | by ElMaruecan82See all my reviews

Whenever I wander in the streets of the Moroccan Medina, I feel at home. There's that strange mixture of various fragrances floating in the air: spices, kebab, frying delicacies (not much different from these appetizing jelabis), sea spray from the fish market, tanned leather from the shoe shop and this whole conglomerate smell outsiders or tourists might feel stinky, but as far as "my" senses are concerned, "there's no place like home". I didn't pick it, it picked me.

And maybe there's something innately circular about life, we're born home, we move close or far from it, and there's the need to get back. I even have a personal theory: that even your children can find a deep "connection" with the place you were born in, your home will also feel like home for them. And it is indeed "A Long Way Home", the poignant and inspiring story of Saroo Brierley, born in India, lost at the age of five, adopted by an Australian couple and reuniting with his mother and his family twenty-five years later. What else can be said? It's a simple story but it's often in the most plain-looking grounds that you can find the most precious gems.

Garth Davis' "Lion" is indeed simple in its storytelling; it's linear and straightforward in its clarity. Basically the whole first hour shows poor Saroo looking for his brother Guddu in hostile and overcrowded streets of Calcutta and finding a few moments of relief interrupted by adults, and in the huge lottery of karma, some can look extremely friendly and have sinister motives. But good fate sides with little Saroo and one lucky encounter leading to another, a couple of Australian tourist discovers the 'wanted notice' published in a newspaper and they instantly fall in love with the kid and adopt him. Saroo is then taught English and good manners.

Then, something interesting happens: while I expected some resistance, he actually tries to fit in his new family as if he's aware that there's something really providential in that couple of good-hearted people from Tasmania, played by Nicole Kidman and David Brienham. The one twist that spoils the family harmony is the adoption of a mentally troubled and self-harming Indian boy named Mantosh one year later. "Lion" manages to say a lot without words, from the reaction of Sunny Pawar, who does a fine, subtle, acting job, I could feel that he didn't welcome this arrival with much enthusiasm but wouldn't display jealousy out of love for his new mom.

And the way he grew up was in line with the character. Dev Patel finally makes his entrance as a brilliant young man in his mid-twenties, ready to embrace studies in hotel management, he's also a nice guy like you seldom see in movies, no tortured soul, no rebel, no wimp either and respectful toward his parents. Seeing Patel again made me regret how harshly I judged "Slumdog Millionnaire" but I never commented his acting but a script that took a rather simplistic turn near the end. So, I was glad to see Patel again, playing another guy trying to find a loved one through a "modern device" but I hoped Davis wouldn't derail the film from its beautiful simplicity.

And I had a good scare when his soon-to-be girlfriend, played by Rooney Mara, started improvising a little dance on the streets as it almost felt like there would be some Bollywood number, but it was just her twisted way to seduce him, and it worked… well, to some degree. Personally, she struck me as a too cold and sophisticated girl, I didn't buy that a guy so warm and "sunny" like Saroo would fall in love with a younger version of Kristin Scott Thomas. Even the love scenes made me wonder if Mara wasn't still under the influence of her previous romance in "Carol". Never mind, the center of the movie were Patel and Kidman and as soon as Patel has this delicate 'Proust Madeleine' moment, the story takes off and with the miracle of "Google Earth", Saroo tries to find the way back home.

The film tries to inject some 'suspense' in that powerful journey but that wasn't necessary, I think they could have just compressed the 'research' within the last weeks before Saroo's departure and avoided these little 'pending' moments, only to focus on the relationship with his adoptive mother and some emotional insights about the heights of generosity some hearts can reach. There were many heartfelt statements about adoption that could have enriched the story but the girlfriend allowed Saroo to explain his existential crisis to the audience without never really existing on her own, I didn't care for her anyway. The tormented brother could have made a more interesting foil for Saroo and would have provided a fine back-story paralleling Saroo's experience.

While "Lion" isn't flawless, it's a movie whose emotional power relied on the ending, and when Saroo was getting closer to his home, I could find my own heart beating, that's for the empathy… and that was the price to pay, to earn that teary explosion of happiness and a few emotionally rewarding revelations, concluding one of the few 2016 movies of universal appeal. Indeed, If there ever was one statement to sum up the general appeal of movies, or stories regardless of their narrative medium, I would quote the late Roger Ebert who said "The more specific a film is, the more universal, because the more it understands individual characters, the more it applies to everyone".

Truer words have never been spoken indeed. Garth Davis' "Lion" might have an Australian-Indian protagonist but anyone can relate to him, from India, Iceland, Jamaica, Morocco or any part of the world.


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