26 user 11 critic

Inside No. 9 

TV-MA | | Comedy, Horror | TV Series (2014– )
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Anthology series which mixes dark humor with genres like crime, horror or drama. The show invites viewers into some very different No.9s, where the ordinary and mundane rub shoulders with the extraordinary and macabre.
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Top Rated TV #240 | 4 wins & 1 nomination. See more awards »





Series cast summary:
Reece Shearsmith ...  Archie / ... 24 episodes, 2014-2018
Steve Pemberton ...  Adrian / ... 24 episodes, 2014-2018


Be invited into some very different No. 9s, where the ordinary and mundane rub shoulders with the extraordinary and macabre. From a grand country house where a game of 'sardines' leads to some chilling revelations in a wardrobe; to a very oddly haunted house; to a blood-soaked actor's dressing room in London's West End; to the flat of an apparently happy primary school teacher who becomes the victim of a good deed; these unpredictable tales feature high comedy and claustrophobic horror by turns. Written by BBC

Plot Summary | Plot Synopsis

Plot Keywords:

dark comedy | anthology | See All (2) »


Comedy | Horror


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Parents Guide:

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Release Date:

5 February 2014 (UK) See more »

Also Known As:

Pod numerem 9 See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:




Aspect Ratio:

16:9 HD
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Did You Know?


The title refers to the movie Gaslight (1944) starring Ingrid Bergman, where the murder and manipulation takes place at Number 9 Thornton Square. See more »


Featured in 50 Years of BBC2 Comedy (2014) See more »

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User Reviews

Tales of the Unexpected? Almost...
7 March 2014 | by matjpiSee all my reviews

But a lot better in many respects. With only one episode left this has been an interesting ride.

Shearsmith & Pemberton work/write very well together and their pedigree is indisputable. Some of the twists could have been less telegraphed but overall the quality of the work is high and evident and its diversity will find fans amongst most viewers.

What works well is the casting done afresh for each episode (other than Pemberton and Shearsmith who are chameleons.) It shares the love and lends separation between tales. A mix of big hitters and new blood can make the writing shine.

I confess that Sardines was making me impatient at first - the mortifying awkwardness of Ian for example - but when we finally are given the reason for "Stinky" John's aversion to soap and the darkness really begins to gather it becomes compelling.

Tom and Gerri was a really sterling tale. The twist was neatly concealed and delivered with a sting. Gemma Arterton was a great choice for Gerri with that rare combination of flawless beauty and earthiness that is the golden rock to which Tom's life is moored. The pathetic figure of Migg was so woebegone that it made the thing work - who couldn't feel sympathy for such a bedraggled battered figure? So when things turn sinister it feels like a betrayal.

Last Gasp fell a little flat for me though Tamsin Grieg added a frisson with salty language and a heartless character. The Understudy was fun, particularly Pemberton's drunken thespianic rants and the twist another kicker.

Overall a splendid work. I sincerely hope these gentlemen can produce more like this because contemporary television needs all the help it can get.

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