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Live by Night (2016)

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A group of Boston-bred gangsters set up shop in balmy Florida during the Prohibition era, facing off against the competition and the Ku Klux Klan.

Director:

Ben Affleck

Writers:

Ben Affleck (screenplay by), Dennis Lehane (based on the novel by)
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3,471 ( 311)
3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ben Affleck ... Joe Coughlin
Elle Fanning ... Loretta Figgis
Remo Girone ... Maso Pescatore
Brendan Gleeson ... Thomas Coughlin
Robert Glenister ... Albert White
Matthew Maher ... RD Pruitt
Chris Messina ... Dion Bartolo
Sienna Miller ... Emma Gould
Miguel ... Esteban Suarez (as Miguel J. Pimentel)
Zoe Saldana ... Graciela
Chris Cooper ... Chief Figgis
Titus Welliver ... Tim Hickey
Max Casella ... Digger Pescatore
Christian Clemenson ... Ritz Investor
J.D. Evermore ... Virgil Beauregard (as JD Evermore)
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Storyline

Boston, 1926. The '20s are roaring. Liquor is flowing, bullets are flying, and one man sets out to make his mark on the world. Prohibition has given rise to an endless network of underground distilleries, speakeasies, gangsters, and corrupt cops. Joe Coughlin, the youngest son of a prominent Boston police captain, has long since turned his back on his strict and proper upbringing. Now having graduated from a childhood of petty theft to a career in the pay of the city's most fearsome mobsters, Joe enjoys the spoils, thrills, and notoriety of being an outlaw. But life on the dark side carries a heavy price. In a time when ruthless men of ambition, armed with cash, illegal booze, and guns, battle for control, no one-neither family nor friend, enemy nor lover-can be trusted. Beyond money and power, even the threat of prison, one fate seems most likely for men like Joe: an early death. But until that day, he and his friends are determined to live life to the hilt. Joe embarks on a dizzying... Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

The American Dream has a price See more »


Motion Picture Rating (MPAA)

Rated R for strong violence, language throughout, and some sexuality/nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Faceboook | Official Site | See more »

Country:

USA

Language:

English | Spanish

Release Date:

13 January 2017 (USA) See more »

Also Known As:

Vivir de Noche See more »

Filming Locations:

Boston, Massachusetts, USA See more »

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Box Office

Budget:

$108,000,000 (estimated)

Opening Weekend USA:

$33,000, 23 December 2016, Limited Release

Gross USA:

$10,377,558, 3 March 2017

Cumulative Worldwide Gross:

$16,706,524, 27 January 2017
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Originally meant to be shot in the fall of 2013, it was pushed back a year due to Ben Affleck's commitments to Gone Girl (2014) and Batman v Superman: Dawn of Justice (2016). See more »

Goofs

In 1927, when Joe and Emma are in bed together talking, "Moonglow" is playing in the background. That song was written in 1933, and the music playing is a 1941 Artie Shaw arrangement. See more »

Quotes

[first lines]
Joe Coughlin: [narrating] In 1917, I signed up to fight the Huns in France. Good men died all around me, and I saw no reason for it. The rules we lived by were lies. And they didn't apply to those who made them. I swore If I made it home, I would never follow orders again. I left a soldier, I came home an outlaw.
See more »


Soundtracks

Moonglow
Written by Edgar De Lange (as Eddie De Lange), Will Hudson and Irving Mills
Performed by Artie Shaw & His Orchestra, Courtesy of RCA Records
By arrangement with Sony Music Licensing
See more »

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User Reviews

 
"Sleep By Day...."
18 January 2017 | by bob-the-movie-manSee all my reviews

Ben Affleck's new movie could best be described as "sprawling". In both directing and writing the screenplay (based on a novel by Dennis Lehane), Affleck has aimed for a "Godfather" style gangster epic and missed: not missed by a country mile, but missed nonetheless.

Morally bankrupted by his experiences in the trenches, Joe Coughlin (Affleck) returns to Boston to pick and choose which social rules he wants to follow. Not sociopathic per se, as he has a strong personal code of conduct, but Coughlin turns to robbery walking a delicate path between the warring mob factions of the Irish community, led by Albert White (the excellent Robert Glenister from TV's "Hustle"), and the Italian community, led by Maso Pescatore (Remo Girone). Trying to keep him out of jail is his father ("Harry Potter"'s Brendan Gleeson) who – usefully – is the Deputy Police Chief. Life gets complicated when he falls in love with White's moll, Emma Gould (Sienna Miller). The scene is set for a drama stretching from Boston to the hot and steamy Everglades over a period of the next twenty years.

Although a watchable popcorn film, the choppy episodic nature of the movie is hugely frustrating, with no compelling story arc to glue all of the disparate parts together. The (often very violent) action scenes are very well done and exciting but as a viewer you don't feel invested in a 'journey' from the beginning of the film to the (unsatisfactory) ending. In my experience it's never a good sign when the writer considers it necessary to add a voice-over to the soundtrack, and here Affleck mutters truisms about his thoughts and motives that irritate more than illuminate.

The sheer volume of players in the piece (there are about three film's worth in here) and the resulting minimal screen time given to each allows no time for character development. Unfortunately the result is that you really care very little about whether people live or die and big plot developments land as rather an "oh" than an "OH!".

Affleck puts in a great turn as the autistic central character whose condition results in a cold, calculating demeanor and a complete lack of emotion reflecting on his face. Oh, hang on… no, wait a minute… sorry… I've got the wrong film…. I'm thinking about "The Accountant". I don't know whether he filmed these films in parallel. I generally enjoy Ben Affleck's work (he was excellent in "The Town") but for 95% of this film his part could have been completed by a burly extra with an Affleck mask on. In terms of acting range, his facial muscles barely get to a "2" on the scale. Given the double problem that he is barely credible as the "young man" returning mentally wounded from the trenches, then in my opinion he would have been better to have focused on the writing and directing and found a lead of the likes of an Andrew Garfield to fill Coughlin's shoes.

That's not to say there is not some good acting present in their all but brief supporting roles. Elle Fanning ("Trumbo", "Maleficent") in particular shines as the Southern belle Loretta Figgis: a religious zealot driving her police chief father (Chris Cooper, "The Bourne Identity") to distraction. Cooper also delivers a star turn as the moral but pragmatic law-man.

Sienna Miller ("Foxcatcher") delivers a passable Cork accent and does her best to develop some believable chemistry with the rock-like Affleck. Zoe Saldana ("Star Trek") is equally effective as a Cuban humanitarian.

In summary, it's sprawlingly watchable… but overall a disappointment, with Affleck over-reaching. One day we surely will get a gangster film the likes of another "Godfather", "Goodfellas" or "Untouchables". Although this has its moments, unfortunately it's more towards the "Public Enemies" end of the genre spectrum.

(For the graphical version of this review please visit bob-the-movie-man.com. Thanks.)


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