6.2/10
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I'm Still Here (2010)

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1:04 | Trailer
Documents Joaquin Phoenix's transition from the acting world to a career as an aspiring rapper.

Director:

Casey Affleck
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Popularity
1,581 ( 636)
1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Joaquin Phoenix ... Joaquin Phoenix
Antony Langdon Antony Langdon ... Anton
Carey Perloff Carey Perloff ... Himself - Play Director
Larry McHale Larry McHale ... Larry McHale
Casey Affleck ... Casey Affleck
Jack Nicholson ... Jack Nicholson
Billy Crystal ... Billy Crystal
Danny Glover ... Danny Glover
Bruce Willis ... Himself
Robin Wright ... Herself
Johnny Moreno Johnny Moreno ... Victor - Danny DeVito's stand-in (as Johnny Marino)
Danny DeVito ... Danny DeVito
Jerry Penacoli ... Jerry
Susan Patricola Susan Patricola ... Susan
Patrick Whitesell ... Patrick
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Storyline

In 2008 while rehearsing for a charity event, actor Joaquin Phoenix, with Casey Affleck's camera watching, tells people he's quitting to pursue a career in rap music. Over the next year, we watch the actor write, rehearse, and perform to an audience. He importunes Sean Combs in hopes he'll produce the record. We see the actor in his home: he parties, smokes, bawls out his two-man entourage, talks philosophy with Affleck, and comments on celebrity. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

He's done with Hollywood

Genres:

Comedy | Drama | Music

Motion Picture Rating (MPAA)

Rated R for sexual material, graphic nudity, pervasive language, some drug use and crude content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

16 September 2010 (Australia) See more »

Also Known As:

Untitled Joaquin Phoenix Documentary See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Opening Weekend USA:

$96,658, 12 September 2010

Gross USA:

$408,983

Cumulative Worldwide Gross:

$568,963
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

The first hint that Joaquin Phoenix was going to pull a stunt like this, came in October 2008, when he announced his retirement on the red carpet of his film Two Lovers (2008), which he then proclaimed to be his final performance. (Ironically, Phoenix got some of the best reviews of his career for his performance in the film.) See more »

Goofs

When Phoenix first meets Diddy in the hotel, he knocks on the door on the right side of the hall, then the camera switches and Diddy is opening the door on the left side of the hall. It can't just be a change in camera angle since the door is the last one on the hall. See more »

Quotes

Joaquin Phoenix: Well great, I'd like a fucking joint. And to be anywhere other than Washington fucking D.C. But life is not a Christmas day.
See more »


Soundtracks

LAVO Techno
Written by Christopher Hoyt Knight (as Chris Knight)
Performed by Christopher Hoyt Knight (as Chris Knight)
See more »

Frequently Asked Questions

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User Reviews

 
This is brilliant work. I don't understand all the derision.
18 September 2010 | by jamisen3See all my reviews

Somehow, I feel like one of the only people who thinks this movie is absolutely genius and incredibly funny. Many leading critics seem to have missed the fact that this is a ruse. Reading in the NYT yesterday that Casey Affleck admitted it was not "reality" probably aided my ability to view the movie the way I did, but I am surprised that so many people have a negative reaction to what Affleck and Phoenix present and couldn't see the bigger picture even before the revelation was made. I am looking forward to J.P's appearance on Letterman next week, when I believe we will learn a lot more about their motivation in its production. In the meantime, however, I think a few things can be said that will not prove to be altogether ignorant on my part.

First, this a movie made by professional actors. This is not Casey Affleck following a Joaquin Phoenix lacking self-awareness around with a camera because they have nothing better to do. It is a deliberate effort to create, and they are both collaborating. That should give everyone a good starting point. It is a real movie with thoughtful development, not the work of pedestrian journalists. With that in mind, it is easy to see just how much fun it would have been to make.

The primary "conflict" in the movie is Joaquin's discomfort with the pressures on him and the risks he is taking in the face of so many expectations to keep producing the kinds of movies that won him accolades. The viewer who thinks the film is true life will believe he is throwing away a great movie career because he is the typical tragic celebrity who has it all, can't recognize it, is under chemical influence, and has no one around who cares enough to intervene. There are far too many clues to let that impression control throughout the film.

When J.P. delivers monologues about how he's putting it all on the line, what we should understand is that the fake J.P. is talking about his hip-hop dream, while the real J.P. is acknowledging the risk he is taking by staying out of glossy big-budget blockbusters he had at his fingertips after Walk the Line. Keep in mind: he had to be this character for almost two whole years in order to make anyone bother to watch the movie. When you stack this kind of dedication up against a stupid movie about the drama behind Facebook, the farce of Jersey Shore, another crime movie set in Boston, and all the other garbage out there, I'm Still Here stands out as cutting-edge performance.

Comparisons are easily made to works of Sacha Baron Cohen and Christopher Guest. The primary difference is the real-world gambit of Phoenix and the manipulation of the media, expanding the stage of performance beyond the theaters. And the audience isn't spoon-fed the humor. Yeah, they probably ticked off a lot of suited business people who wanted Phoenix to be predictable and stay in bounds, but the very point of the movie was that the Hollywood system is a fenced-in joke of a society and very easy to toy with. Of course, the sad truth is that so many fine performers have indeed self-destructed in similar fashion. Perhaps that is why people are uncomfortable with the movie; because it is plausible. But if J.P. can deceive so many so easily, it is all the more a masterpiece.


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