7.4/10
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Capitalism: A Love Story (2009)

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0:33 | Trailer
An examination of the social costs of corporate interests pursuing profits at the expense of the public good.

Director:

Michael Moore

Writer:

Michael Moore
4 wins & 12 nominations. See more awards »

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Cast

Credited cast:
William Black William Black ... Himself
Jimmy Carter ... Himself (archive footage)
Elijah Cummings Elijah Cummings ... Himself (as Congressman Elijah Cummings)
Marcus Haupt Marcus Haupt ... Himself
Baron Hill Baron Hill ... Himself
Marcy Kaptur Marcy Kaptur ... Herself
John McCain ... Himself (archive footage)
Michael Moore ... Himself
Stephen Moore Stephen Moore ... Himself
Sarah Palin ... Herself (archive footage)
Ronald Reagan ... Himself (archive footage)
Franklin D. Roosevelt ... Himself (archive footage) (as Franklin Delano Roosevelt)
Bernie Sanders ... Himself
Arnold Schwarzenegger ... Himself (archive footage)
Wallace Shawn ... Himself
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Storyline

Capitalism: A Love Story examines the impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). The film moves from Middle America, to the halls of power in Washington, to the global financial epicenter in Manhattan. With both humor and outrage, the film explores the question: What is the price that America pays for its love of capitalism? Families pay the price with their jobs, their homes and their savings. Moore goes into the homes of ordinary people whose lives have been turned upside down; and he goes looking for explanations in Washington, DC and elsewhere. What he finds are the all-too-familiar symptoms of a love affair gone astray: lies, abuse, betrayal...and 14,000 jobs being lost every day. Capitalism: A Love Story also presents what a more hopeful future could look like. Who are we and why do we behave the way that we do? Written by Overture Films

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Russian | Spanish

Release Date:

2 October 2009 (USA) See more »

Also Known As:

The New Movie See more »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$231,964, 27 September 2009

Gross USA:

$14,363,397

Cumulative Worldwide Gross:

$17,436,509
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

|

Sound Mix:

Dolby Digital

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Michael Moore: [Flint] Talks about the poor economy and conditions in Flint, Michigan. See more »

Goofs

The film depicts a boarded-up house in Bellington, WA; there is no such city in Washington state. It likely meant to say Bellingham, WA. See more »

Quotes

Michael Moore: You know, I can't really do this anymore, unless those of you who are watching this in the theater want to join me. I hope you will. And please... speed it up.
See more »

Crazy Credits

"Property monopolized or in the possession of a few is a curse to mankind." - John Adams, 1765 See more »

Connections

References Bedtime for Bonzo (1951) See more »

Soundtracks

The Final Interview
from Frost/Nixon (2008)
Written and Performed by Hans Zimmer
Courtesy of Universal Studios
See more »

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User Reviews

 
Moore holds back nothing
9 October 2009 | by moviemanMASee all my reviews

Michael Moore's latest feature, Capitalism: A Love Story, has everything I could want from one of his films: a hotly debated and relevant issue, information, personal accounts, funny clips, and great music. I enjoy seeing his films not so much to be informed, which I feel he does quite well, but to be entertained. That is something rare with a documentary. I don't think you can say the same about An Inconvenient Truth.

Love him or hate him, Moore makes a fantastic film. This time he takes one the recent economic turmoil this country has been facing for the past year or so. Moore traces it's roots back to the Reagan administration on up. He presents a lot of facts, memos, and documents some companies and banks would not like us to see, but he does it because the people have a right to know.

I can't say much about what went on because Moore presents a lot of data, but to the best of my ability I can say that there is an awful lot of shady activity going on behind closed doors. We look at the bail out plan proposed to congress. We see how companies like Goldman Sachs infiltrates the government and starts doing their own bidding. We see companies spend their money frivolously while workers and homeowners are losing their jobs and livelihood. Some of these banks and groups do terrible things that force people into uncomfortable and downright oppressive situations.

One thing I expected to see from this film was Moore perspective and nothing else. I don't know what information he is withholding and what truths he is stretching, but I am impressed with how convincing some of his arguments and testimonials are. He plays on our heartstrings like a trained musician, hitting home with issues involving blue collar Americans struggling to keep their jobs, their homes, and their families together.

Aside from the content of the film, the actual film itself is very well put together. He makes excellent use of stock footage from the 50s and 60s, weaving them perfectly to fit the film's flow. One thing Moore does better than most is his use of music to drive home a point or a feeling. Be it classical, rock, or country, Moore blends it all together quite nicely.

This film makes you think. It makes you angry. It makes you want to do something, and that's okay. That is what a film is supposed to do. It is designed to evoke some sort of emotion and help spring it forth. That's not to say you should go out and do something drastic, but it will at least make for excellent conversation amongst friends and coworkers.


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