When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters--an aged song-and-dance team from the days of Fred Astaire--to rescue him.
In 1970s Iran, Marjane 'Marji' Satrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own. With Marji dangerously refusing to remain silent at this injustice, her parents send her abroad to Vienna to study for a better life. However, this change proves an equally difficult trial with the young woman finding herself in a different culture loaded with abrasive characters and profound disappointments that deeply trouble her. Even when she returns home, Marji finds that both she and homeland have changed too much and the young woman and her loving family must decide where she truly belongs.Written by
Kenneth Chisholm (firstname.lastname@example.org)
At the party given by the Austrian nihilists, the symbol of the famous industrial band Einstürzende Neubauten can be seen on the upper left-hand side of the screen. See more »
Young Marjane talks about torturing someone by making them put garbage in his mouth and making him chew it three times. She demonstrates this by grabbing a bunch of garbage out of a garbage can. In the next shot, when Ramine rides by on his bike, the garbage has vanished. See more »
Ticket and passport, please.
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Eye of the Tiger
Written by Jim Peterik (as James Peterik), Frankie Sullivan (as Franck Sullivan III)
(c) Three Wise Boys Music / Ensign Music Corp c/o BMG Music Publishing France
(c) WB Music Corp / Easy Action Music
By permission from Warner Chappell Music France and BMG Music Vision
Performed by Chiara Mastroianni
Arranged by Olivier Bernet See more »
I rated this film a 9 more as a visual complement to the comic book (of two volumes, now bound as one), which I believe to be a masterpiece. If you left the film less than emotionally attached to the characters, PLEASE give the book a chance, because, as is often the case, episodes and histories of a lot of the characters, including Marjane, are left out to adapt the story to a film medium. Having said that, there are great sequences, expressionistic animation, and the wiseass grandma is left fully intact from the books! I can understand why some people weren't emotionally compelled by it though, since the movie doesn't take the time to fill the audience in on all the quirkiness and endearing qualities of the characters as Satrapi originally conceived them.
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