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There Will Be Blood (2007)

R | | Drama | 25 January 2008 (USA)
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2:14 | Trailer
A story of family, religion, hatred, oil and madness, focusing on a turn-of-the-century prospector in the early days of the business.

Writers:

Paul Thomas Anderson (written for the screen by), Upton Sinclair (novel)
Popularity
601 ( 8)
Top Rated Movies #154 | Won 2 Oscars. Another 107 wins & 136 nominations. See more awards »

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Cast

Cast overview, first billed only:
Daniel Day-Lewis ... Daniel Plainview
Martin Stringer Martin Stringer ... Silver Assay Worker
Matthew Braden Stringer Matthew Braden Stringer ... Silver Assay Worker
Jacob Stringer Jacob Stringer ... Silver Assay Worker
Joseph Mussey Joseph Mussey ... Silver Assay Worker
Barry Del Sherman ... H.B. Ailman
Harrison Taylor Harrison Taylor ... Baby HW
Stockton Taylor Stockton Taylor ... Baby HW
Paul F. Tompkins ... Prescott
Dillon Freasier ... HW
Kevin Breznahan ... Signal Hill Man
Jim Meskimen ... Signal Hill Married Man
Erica Sullivan Erica Sullivan ... Signal Hill Woman
Randall Carver ... Mr. Bankside
Coco Leigh ... Mrs. Bankside
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Storyline

The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ... Written by Huggo / edited by statmanjeff

Plot Summary | Plot Synopsis

Taglines:

There Will Be Greed. There Will Be Vengeance. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA

Release Date:

25 January 2008 (USA) See more »

Also Known As:

Oil! See more »

Filming Locations:

Shafter, Texas, USA See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$190,739, 30 December 2007

Gross USA:

$40,222,514

Cumulative Worldwide Gross:

$76,181,545
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Last film of Paul Thomas Anderson's to be shot in the 2.39:1 aspect ratio. The rest of his films are in the 1.85:1 aspect ratio See more »

Goofs

At the end of the scene when Paul Sunday shows Daniel Plainview the location of the Sunday Ranch on the map, Paul picks up a hat that is quite clearly his own and not Daniel's - Daniel's hat is a dun brown "boss of the plains", while Paul's is grey and more like a wide-brimmed fedora. See more »

Quotes

Plainview: [mumbles] Abandoned my child.
Eli Sunday: Say it louder... say it louder!
Plainview: I've abandoned my child! I've abandoned my child! I've abandoned my boy!
Eli Sunday: Now beg for the blood!
Plainview: [sotto voce] Please, give me the blood, Eli. Let me get out of here.
Plainview: [aloud] Give me the blood, Lord, and let me get away!
See more »

Crazy Credits

There are no opening credits, except for the title See more »

Connections

Referenced in The Cinema Snob: Can't Stop the Music (2014) See more »

Soundtracks

Gradh Geal Mo Chridh
(uncredited)
See more »

Frequently Asked Questions

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User Reviews

 
A blood-soaked, oil-sopping epic that'll delight many, dissatisfy others…
26 February 2008 | by xxsophjxxSee all my reviews

"I'm an oil man!" Asserts Daniel Plainview (Daniel Day-Lewis) to a colony of naïve citizens of which he is astutely slipping into his trouser pocket one by one. However (in this case) the man speaks no lie for his veins do indeed run rich with plutonium oil. A crude, black substance embedded deep in the merciless heart of director Paul Thomas Anderson's gargantuan North American epic- There Will Be Blood. A perpetually steady, emotionally-draining and dark character study of an oil guzzling tycoon that vigorously chews on the themes of gluttony and deception, faith and ambition, death and revulsion. Do not be mislead by its title, though. This is not some balls-to-the-wall slasher-flick (as the "chavs" sat behind me seemed to think at the outset). It is a gruelling, drawn-out dissection of a loathsome yet sinisterly-comical individual consumed and maddened by his own persona. And it's absolutely formidable- visual and melodramatic arrestment at its bona fide best that exudes cinematic precision and awe with satire to spare. But it's also a long-winded affair. So thrill seeking, gore-craving moviegoers walk away, now. I'm afraid there will be no blood for you. Sorry. Add to that list- chic-flick, rom-com and sci-fi enthusiasts. You guys may be better off buying another ticket. Taking another ride. Those left, steady yourself for, perhaps, this year's most thought-provoking feature driven by a leading character performance fit to rival the very best.

Ushering in a near dialogue-free opening 15 minutes with a distinct fade-in, Anderson wastes no time in introducing us to the protagonist. Daniel Day-Lewis plays…no scratch that…Daniel Day-Lewis is Daniel Plainview. An ambitious, moustached miner who, while thrashing away at the crust of his motherland- at the turn of the twentieth century- strikes oil. A profitable discovery that fortuitously leads him to H.W (Dillon Freasier), a new-born infant of whom he slots forcefully under his oil sodden wing only to drag about the entire continent in search of large segments of land in which crude oil is stirring directly beneath. Soon enough, Plainview forges a blossoming "family" oil drilling corporation that soon establishes itself as a force in the industry and prospects appear even brighter when, in 1911, Plainview receives a generously eerie, yet pricey tip-off as to where there may be a sturdy supply of his beloved oil. A tip-off in which he pursues like a unwavering moth to an oil fuelled flame as he meanders ominously into Little Boston, California where the true colours of the indomitable oil baron edge disturbingly into light.

Daniel Plainview is an angry, vengeful man whose promises and loyalties to those around him are as false and as futile as his love and respect for God. He "guarantees" the people of the Little Boston ranch; food, water, schools and, to the town's radically odd preacher Eli Sunday (an inspired Paul Dano), a newly renovated church of the Third Revelation. But he cares little for the reserving of his pledges and spends little time guilt-tripping over his numerous acts of iniquity. "I look at people," he says "and I see nothing worth liking." "I have a competition in me," he continues "and I want no one else to succeed". Self-centred sociopath?…Yep, for Plainview is as putrid and as predatory as any character to ever grace the big screen. He putrefies slowly, though. The end product appearing more entity than man. Better yet: an egocentric emblem of evil that governs the screen in an implausible manner in which only an actor of Day-Lewis' calibre can. The sheer potency of his flawless portrayal actually carries the relatively toothless narrative in areas which could be further criticised for chugging along at a near crawling pace at times.

Visually and acoustically, though, TWBB is outstanding- every nuance of every aural and cinematic component work so well with one another to help give the film such power and impact. It's just a shame that no real direction or purpose bled into the screenplay for which Anderson adapted from Upton Sinclair's 1927 novel- Oil. As far as storytelling goes, Anderson has underperformed here. His narrative lacks any legitimate path or hooks and, to be honest, the lack of defining moments- bar the infamous confession and milkshake scenes- within 158 minute running length is a little disappointing. But the manner in which Day-Lewis dictates the audiences' attention more or less vanquishes any negative thoughts regarding the muscle of the plot. Which is why it comes as no surprise that everybody and their brother have duly commended the London-born method actor's impeccable, Oscar winning performance: the epitome of everything grand about Anderson's fifth but not quite finest feature yet; profound, provoking, intense, immense.

In spite of its flaws, TWBB is still an exceptionally powerful piece of cinema that'll remain etched in the minds of those who take to it for quite some time. Even if it's quality is not there for all to see, in plain view.


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