The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Chris is a once promising high school athlete whose life is turned upside down following a tragic accident. As he tries to maintain a normal life, he takes a job as a janitor at a bank, where he ultimately finds himself caught up in a planned heist.
A charismatic New York City jeweler always on the lookout for the next big score makes a series of high-stakes bets that could lead to the windfall of a lifetime. Howard must perform a precarious high-wire act, balancing business, family, and encroaching adversaries on all sides in his relentless pursuit of the ultimate win.
A New York woman (who doesn't really have an apartment) apprentices for a dance company (though she's not really a dancer) and throws herself headlong into her dreams, even as the possibility of realizing them dwindles.
The lonely teenager Brendan finds his former girlfriend Emily dead in the entrance of a tunnel of sewage and recalls her phone call two days ago, when she said to him that she was in trouble. Brendan, who still loved Emily, met bad elements of his high-school trying to contact her, and when he succeeded, she told him that she was OK. He hides her body in the tunnel and decides to investigate the meaning and connection of four words, including "brick" and "pin", that Emily told him to find who killed her. Using the support of his nerd friend Brain, he successively meets the small time drug dealers Kara, Dode, Brad Bramish, Laura and Tugger, to reach the teenager powerful drug dealer The Pin. Slowly, Brendan unravels the motives why Emily was killed and plots a revenge.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Rian Johnson wrote the original screenplay in 1997 "right out of film school." It took him six years in order to fund the project. His parents ended up funding the project for him in 2003. See more »
As Brendan is calling the phone number on the "Halloween in January" party invitation he pulled from Kara's dressing room mirror, his Timex wrist watch reads 10:45, while in the background the digital alarm clock on his nightstand reads 11:53. See more »
I saw this film at a sneak preview the other night not knowing what to expect. To say the least I was pleasantly surprised. Film Noir being one of my favorite film genre's, "Brick" follows the same story structure, odd-ball characters, right down to the very smart and quick paced dialogue of a 30s/40s hard boiled detective thriller. The twist that lifts it above parody and even a mere homage is the presentation of these elements with high school kids in Southern California. The direction by Rian Johnson is very expert and confident in telling the story, giving the audience smooth and quick editing along with skewed and distorted camera angles. He manages to maintain suspense throughout the film, only in a couple of parts letting it drag (the scenes with the Drama Queen are some of the weakest). The actors are great, the most memorable being the "villains" Pen and Tugger. Rather than just being atypical baddies, their portrayals give them depth, sympathy, and at the same time a degree of likability. Kudos also goes to the actor who played Brain, the partner of Frye, who is nearly flawless in his somewhat small role. John Shaft himself, Richard Roundtree, shows up as the Vice Principal, but it is obvious they only had the budget to hire him for one day. I have to say this isn't a classic film by any means; I merely decided to give it such a high rating because it attempts something different and succeeds fairly successfully. I've been tired of the mundane films that get released every year, and for once this is something that is completely different; the use of archetypal characters in the setting and delivery not expected. It's a low budget film, but it is obvious to me that that this filmmaker will be heard from again. Keep an eye out.
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