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Inglourious Basterds (2009)

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2:10 | Trailer
In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.

Director:

Quentin Tarantino
Popularity
215 ( 34)
Top Rated Movies #85 | Won 1 Oscar. Another 132 wins & 170 nominations. See more awards »

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Cast

Cast overview, first billed only:
Brad Pitt ... Lt. Aldo Raine
Mélanie Laurent ... Shosanna
Christoph Waltz ... Col. Hans Landa
Eli Roth ... Sgt. Donny Donowitz
Michael Fassbender ... Lt. Archie Hicox
Diane Kruger ... Bridget von Hammersmark
Daniel Brühl ... Fredrick Zoller
Til Schweiger ... Sgt. Hugo Stiglitz
Gedeon Burkhard ... Cpl. Wilhelm Wicki
Jacky Ido ... Marcel
B.J. Novak ... Pfc. Smithson Utivich
Omar Doom ... Pfc. Omar Ulmer
August Diehl ... Major Hellstrom
Denis Ménochet ... Perrier LaPadite
Sylvester Groth ... Joseph Goebbels
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Storyline

In German-occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerrilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history. Written by The Massie Twins

Plot Summary | Plot Synopsis

Taglines:

If You Need Heroes, Send In The Basterds See more »

Genres:

Adventure | Drama | War

Motion Picture Rating (MPAA)

Rated R for strong graphic violence, language and brief sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany | USA

Language:

English | German | French | Italian

Release Date:

21 August 2009 (USA) See more »

Also Known As:

Inglorious Bastards See more »

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Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend USA:

$38,054,676, 23 August 2009

Gross USA:

$120,540,719

Cumulative Worldwide Gross:

$321,455,689
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Leonardo DiCaprio was the first choice for Colonel Hans Landa, but Quentin Tarantino then decided that a German-speaking actor should play the part. DiCaprio played the primary antagonist in Tarantino's next film, Django Unchained (2012). See more »

Goofs

When Colonel Landa approaches Bridget Von Hammersmark at the premiere the camera shows her with her hands on her hips as she says, "Colonel Landa, it's been years. Dashing as ever I see". In the very next shot she and Landa are holding hands when they kiss on the cheek. See more »

Quotes

Joseph Goebbels: [in German] You have opera boxes?
Shosanna Dreyfus: Oui.
Joseph Goebbels: How many?
Shosanna Dreyfus: [in French] Two.
Joseph Goebbels: More would be better.
See more »

Crazy Credits

The film uses the 1963-1990 Universal Pictures logo. See more »

Alternate Versions

In the German version, the French dialogs referring to English language ("anglais") have been re-dubbed to refer to German ("allemand"), as English dialogs have been dubbed into German. Also, in the scene with Private Butz the translations from German into English and vice versa have been re-dubbed into ironic comments by Wilhelm Wicki (which would not make sense otherwise, as both Aldo Raine and Pvt. Butz are talking German in the German dub). See more »

Connections

Featured in WatchMojo: Top 10 Most Violent Tarantino Moments (2017) See more »

Soundtracks

MYSTIC AND SEVERE
(1967)
Written by Ennio Morricone
Performed by Ennio Morricone
Courtesy of GDM Music S.r.l. on behalf of Universal Music Publishing Ricordi S.r.l.
See more »

Frequently Asked Questions

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User Reviews

 
dialogue language visuals homage to cinema
31 July 2009 | by bakor24-1See all my reviews

I have been feeling a little disappointed by Tarantino ever since death proof. But i insist it was only a little, because i can appreciate the amount of work in producing such an homage to stunts people. Inglorious Basterds has definitely propelled Tarantino to the top ranks in my universe. This movie can be summed up (albeit inadequately) in one word : "RAW".

There is an intense emotion in every scene. Revenge and justice seem to be the main themes, From the start of the movie one feels compassion towards the victims of the Nazis, and is placed in Tarantino's fictional dimension of the WW2 historical context.

Characters are unpredictiable, fun, scary, brutal, sexy, and other adjectives i am sure are escaping my mind that are just as fitting and positive. I won't go in to an appreciation of each character, but the other comments by fellow users sum up the appreciation of the various performances.

Dialogue has evolved from the classic Tarantino "bad ass" provocative style as seen in Pulp Fiction and Death Proof. One can feel in the dialogues that Tarantino is making more open references to other movies. Indeed, many dialogues were near lessons in cinema to the audience, the setting partly takes place at a movie premiere ; a reference to a movie is close around every corner.

It is nice to see that each language presented (German, French, and English) is employed rather equally and naturally. I speak both French and English very fluently, and am frequently disappointed in how English speaking characters in french movies act poorly, and how french speaking characters in English/American movies act poorly. Amazingly enough, Tarantino managed to make his actors pull off a natural and graceful performance from his actors. It helps put the audience in context of the historical context. Indeed ; soldiers, spies and civilans rarely understood soldiers/spies/civilians from other countries.

The visuals/photography are beautiful, with sceneries convincingly conveying a 1940s WWII Europe. The outfits are perfect, and the violence orgasmically/realistically conveyed. No punches are held back, and the Nazis are often shown being tortured. This makes the movie not open to all audiences ; the graphic violence can shock the more sensitive demographic.

volumes can be written about this movie. But the movie is so good, that during the North American Inglorious Basterds premiere at the Fantasia Festival in Montreal, i had to pee, but refused to go so as to not miss one single scene. I hope that image conveys how strongly i feel about this movie, and i'm a hard audience to please.


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