8.3/10
653,078
1,396 user 252 critic

Amélie (2001)

Le fabuleux destin d'Amélie Poulain (original title)
Trailer
3:41 | Trailer

On Disc

at Amazon

Amélie is an innocent and naive girl in Paris with her own sense of justice. She decides to help those around her and, along the way, discovers love.

Director:

Jean-Pierre Jeunet

Writers:

Guillaume Laurant (scenario), Jean-Pierre Jeunet (scenario) | 1 more credit »
Popularity
1,190 ( 245)
Top Rated Movies #94 | Nominated for 5 Oscars. Another 59 wins & 66 nominations. See more awards »

Videos

Photos

Learn more

More Like This 

Captive State (2019)
Sci-Fi | Thriller
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Set in a Chicago neighborhood nearly a decade after an occupation by an extraterrestrial force, 'Captive State' explores the lives on both sides of the conflict - the collaborators and dissidents.

Director: Rupert Wyatt
Stars: John Goodman, Ashton Sanders, Jonathan Majors
Drama | Romance | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

When their relationship turns sour, a couple undergoes a medical procedure to have each other erased from their memories.

Director: Michel Gondry
Stars: Jim Carrey, Kate Winslet, Tom Wilkinson
Drama
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

A sexually frustrated suburban father has a mid-life crisis after becoming infatuated with his daughter's best friend.

Director: Sam Mendes
Stars: Kevin Spacey, Annette Bening, Thora Birch
Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 8.6/10 X  

Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.

Director: Luc Besson
Stars: Jean Reno, Gary Oldman, Natalie Portman
Drama
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

The drug-induced utopias of four Coney Island people are shattered when their addictions run deep.

Director: Darren Aronofsky
Stars: Ellen Burstyn, Jared Leto, Jennifer Connelly
Biography | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  

After he becomes a quadriplegic from a paragliding accident, an aristocrat hires a young man from the projects to be his caregiver.

Directors: Olivier Nakache, Éric Toledano
Stars: François Cluzet, Omar Sy, Anne Le Ny
The Pianist (2002)
Biography | Drama | Music
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  

A Polish Jewish musician struggles to survive the destruction of the Warsaw ghetto of World War II.

Director: Roman Polanski
Stars: Adrien Brody, Thomas Kretschmann, Frank Finlay
Memento (2000)
Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  

A man with short-term memory loss attempts to track down his wife's murderer.

Director: Christopher Nolan
Stars: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano
Animation | Drama | War
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  

A young boy and his little sister struggle to survive in Japan during World War II.

Director: Isao Takahata
Stars: Tsutomu Tatsumi, Ayano Shiraishi, Akemi Yamaguchi
Taxi Driver (1976)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.

Director: Martin Scorsese
Stars: Robert De Niro, Jodie Foster, Cybill Shepherd
Braveheart (1995)
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

When his secret bride is executed for assaulting an English soldier who tried to rape her, William Wallace begins a revolt against King Edward I of England.

Director: Mel Gibson
Stars: Mel Gibson, Sophie Marceau, Patrick McGoohan
Adventure | Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.

Director: Wes Anderson
Stars: Ralph Fiennes, F. Murray Abraham, Mathieu Amalric
Edit

Cast

Cast overview, first billed only:
Audrey Tautou ... Amélie Poulain
Mathieu Kassovitz ... Nino Quincampoix
Rufus ... Raphaël Poulain
Lorella Cravotta Lorella Cravotta ... Amandine Poulain
Serge Merlin Serge Merlin ... Raymond Dufayel
Jamel Debbouze ... Lucien
Clotilde Mollet Clotilde Mollet ... Gina
Claire Maurier Claire Maurier ... Madame Suzanne - la patronne du café
Isabelle Nanty ... Georgette
Dominique Pinon ... Joseph
Artus de Penguern Artus de Penguern ... Hipolito
Yolande Moreau ... Madeleine Wallace
Urbain Cancelier ... Collignon
Maurice Bénichou ... Dominique Bretodeau
Michel Robin ... Mr. Collignon
Edit

Storyline

Amélie is a story about a girl named Amélie whose childhood was suppressed by her Father's mistaken concerns of a heart defect. With these concerns Amélie gets hardly any real life contact with other people. This leads Amélie to resort to her own fantastical world and dreams of love and beauty. She later on becomes a young woman and moves to the central part of Paris as a waitress. After finding a lost treasure belonging to the former occupant of her apartment, she decides to return it to him. After seeing his reaction and his new found perspective - she decides to devote her life to the people around her. Such as, her father who is obsessed with his garden-gnome, a failed writer, a hypochondriac, a man who stalks his ex girlfriends, the "ghost", a suppressed young soul, the love of her life and a man whose bones are as brittle as glass. But after consuming herself with these escapades - she finds out that she is disregarding her own life and damaging her quest for love. Amélie then ... Written by spragg_s

Plot Summary | Plot Synopsis

Taglines:

One person can change your life forever. See more »

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Official Sites:

Official Facebook | Official site | See more »

Country:

France | Germany

Language:

French | Russian | English

Release Date:

8 February 2002 (USA) See more »

Also Known As:

Amélie See more »

Filming Locations:

France See more »

Edit

Box Office

Budget:

FRF 77,000,000 (estimated)

Opening Weekend:

$496,031 (France), 10 August 2001

Opening Weekend USA:

$136,470, 4 November 2001, Limited Release

Gross USA:

$33,225,499

Cumulative Worldwide Gross:

$173,921,954
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Black and White | Color (Duboicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
Edit

Did You Know?

Trivia

Jean-Pierre Jeunet originally wanted Michael Nyman to score the film, but was unable to get him. Someone then gave Jeunet a CD by Yann Tiersen, who composes in a similar minimalist style, but with an extremely quirky, eclectic mix of instruments. Jeunet fell in love with the music and scored the film largely with existing pieces by Tiersen, for which he bought the rights. In addition, Tiersen wrote an original main theme, "La Valse d'Amelie," which was recorded in numerous variations and used throughout the film. See more »

Goofs

When Nino is in school as a kid, the board shows "vendredi 7 avril 1980". April 7th was a Monday ("lundi") in 1980, not Friday. See more »

Quotes

[first lines]
Narrator: On September 3rd 1973, at 6:28pm and 32 seconds, a bluebottle fly capable of 14,670 wing beats a minute landed on Rue St Vincent, Montmartre. At the same moment, on a restaurant terrace nearby, the wind magically made two glasses dance unseen on a tablecloth. Meanwhile, in a 5th-floor flat, 28 Avenue Trudaine, Paris 9, returning from his best friend's funeral, Eugène Colère erased his name from his address book. At the same moment, a sperm with one X chromosome, belonging to ...
See more »

Crazy Credits

In the opening titles, the girl playing Amélie as a child is shown doing various things. These activities illustrate the titles being shown at the same time. See more »

Connections

Featured in The Oscars (2017) See more »

Soundtracks

Adagio pour cordes
Composed by Samuel Barber
Performed by Capella Istropolitana
See more »

Frequently Asked Questions

See more »

User Reviews

It's my favorite movie of all time...
3 December 2002 | by emilio77See all my reviews

Short analysis on Jean-Pierre Jeunet's Le fabuleux destin d'Amélie Poulain

For 20 years Jean-Pierre Jeunet collected small astonishing and intriguing moments in his life, taking notes in his diary, not knowing that he was up to co-write and direct one of the most successful film in French film history. Jean-Pierre Jeunet fell in love with the story and the film he titled Le fabuleux destin d'Amélie Poulain. But it's popularity was even a surprise to Jean-Pierre Jeunet himself as he once stated: `I guess I have to produce a film like Alien Resurrection (USA 1997) to make a movie like Le fabuleux destin d'Amélie Poulain', obviously not aware of the films potential. Unfortunately the film didn't win an Academy Award for the best foreign film in 2001 which still puzzles film fans all over the world.

I consider Jean-Pierre Jeunet's film as a masterpiece. In my opinion, it is an outstanding film in film history for its cinematography, the music, the story, but above all the overall atmosphere. Going to the cinema is like meditating. We sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. We seek to escape our normal world just for a short period of time, to experience something totally different and yet, we want to find ourselves in this world. Thanks to Jean-Pierre Jeunet I had a wonderful dream, I will never forget.

Jean-Pierre Jeunet and his camera man, Bruno Delbonnel, wanted to make the film look like the Spanish painter did his artwork. To establish a dreamlike atmosphere they used mostly red and green, sometimes adding a little blue spot in the picture to set the contrast. Audrey Tautou (Amélie Poulain), mostly wears either red or green dresses, as well as the housekeeper (Yolande Moreau as Madelaine Wallace, concierge), and Amélie's mother (Lorella Cravotta as Amandine Poulin) in the beginning of the film. When Amélie Poulain sits down to watch the tragedy of her life on her TV, there is an outstanding of a blue lamp in the background. Sometimes the use of color gets very obvious. Amélie's apartment for example is almost completely red, the underground station and the train station are kept in green and the green grocery store stands out from the grey buildings. Honestly, I haven't noticed the extreme use of color the first time I watched the movie. I just wondered how Jeunet succeeded in establishing such a fabulous atmosphere.

The atmosphere is also supported by the magnificent music by Yann Tiersen who has composed 19 songs in 15 days for this movie. The principal motive appears in many variations somehow being joyful, yet at the same time sad - slow and sometimes fast and activating. The music supports every moment in the film and becomes the sound of a fabulous world.

Camera movement certainly contributes its part to the atmosphere. Balanced and unbalanced pictures contribute to the message of each shot. Right in the beginning when Amélie's mother is introduced, the picture is balanced symbolizing her pursuit for correctness and cleanliness. The same can be about the first shots of Amélie's father. When talking about his dislikes, the shots are unbalanced. But more impressing are some camera movements. For example there is an astonishing high angle shot of Amélie flipping stones on le canal in Paris. The camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. Another one worth mentioning might be the chase of the repairs person. Nino is shown falling up the steps chasing the repairs person for the photo machines. The camera turns to show the man getting in the car driving off. Still in a low angle Nino starts his moped, trying to follow the worker, almost hitting a car. Amélie is entering the picture running after Nino. The camera follows her, then turning almost 180° around her to show her hold Nino's red bag that he lost. When Amélie sits in front of the station, we see her in a long shot, the camera dollies in to fly over her head to an over-the-shoulder shot. Some of these camera movements are really awesome, not only from a technical point of view, but moreover from an aesthetic standpoint. They support the dreamlike atmosphere, adding interesting aspects to ordinary actions.

Audrey Tautou at the age of 23 is an astonishing actress. I really can't imagine anybody doing the job better than she did. To me she is not only giving life to the character, she lives it. It's wonderful to watch her. There was no moment when I had the faintest impression that there is something wrong or inappropriate in her acting. Also Mathieu Kassovitz as Nino Quincampoix is extraordinarily gifted with his talent. Most of the actors have done a wonderful job, although I want to mention the scene when Amélie's mother gets her nervous breakdown because of the suicidal fish. This scene appeared to me exaggerated which it probably was intended to be. Anyhow, the extreme close-up of Yolande Moreau was to intriguing to me, so I shrug back in disgust rather than laughing about it. I gues this was the director's choice, so I don't hold her responsible for that.

Another negative and distracting thing where some scenes when Jean-Pierre Jeunet decided to show the key in Amélie's pocket after copying it and bringing the original key back to the grocer's door in a very unrealistic way. He uses a digital effet showing the key's silhouette in a yellow light. This is a technique that hasn't been used very often in the film, except for showing Amélie's heart going faster and the old, blind man feeling very happy after being guided by Amélie. All these scenes disturb the otherwise wonderful cinematography. There could have been other ways to communicate the actions. A simple smile on the old's man face, a close-up of Amélie's hand letting the copied key slide into her pocket and the heart beat as a background sound would have done the same without disturbing the atmosphere.

Anyway, Le fabuleux destin d'Amélie Poulain is still my favorite movie. The narration is perfectly arranged taking its time to tell every detail. I enjoyed the subplots a lot that are told in a subtle way. Maybe the introduction is a bit to long, but still I enjoyed every second. Maybe I am too used to typical Hollywood productions, where you can tell the stages of a story by watching the clock. Le fabuleux destin d'Amélie Poulain has its own rhythm driving the story forward not by a superhero trying to achieve his goal, but by a hero that knows that she has time to arrange everything by strategic means. Maybe that is also one reason why I like this film so much. The story is told with time and not against time. There is no last minute-rescue, no time pressure, no need to act. It just takes its time as life does.

In my opinion, Jean-Pierre Jeunet created a masterpiece. A film that is not only outstanding because of the cinematography, the special effects or any other technical characteristics, but also combines the perfection of craftsmanship with a wonderful story, humour, and emotion.


484 of 575 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 1,396 user reviews »

Contribute to This Page



Recently Viewed