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L'assedio (1998)

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While in exile in Italy, an African woman finds herself trying to get back home and free her imprisoned husband. But the only man that can help her do so is in love with her.
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Cast

Cast overview, first billed only:
Thandie Newton ... Shandurai
David Thewlis ... Jason Kinsky
Claudio Santamaria ... Agostino
John C. Ojwang John C. Ojwang ... Singer
Massimo De Rossi Massimo De Rossi ... Patient
Cyril Nri Cyril Nri ... Priest
Paul Osul Paul Osul ... Piano Buyer
Veronica Lazar ... Piano Buyer
Gian Franco Mazzoni Gian Franco Mazzoni ... Piano Buyer (as Gianfranco Mazzoni)
Maria Mazetti Di Pietralata Maria Mazetti Di Pietralata ... Piano Buyer
Andrea Quercia Andrea Quercia ... Child pianist at concert
Alexander Menis Alexander Menis ... Child at concert
Natalia Mignosa Natalia Mignosa ... Child at concert
Lorenzo Mollica Lorenzo Mollica ... Child at concert
Elena Perino Elena Perino ... Child at concert
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Storyline

When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in one room of his Roman palazzo. He besieges her with flowers, gifts, and music, declaring passionately that he loves her, would go to Africa with her, would do anything for her. "What do you know of Africa?," she asks, then, in anguish, shouts, "Get my husband out of jail!" The rest of the film plays out the implications of this scene and leaves Shandurai with a choice. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

watching tv | jail | english | love | gift | See All (110) »

Taglines:

Touched by Genius. Cursed by Madness. Blinded by Love.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for brief sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | UK

Language:

English | Italian | Swahili

Release Date:

5 February 1999 (Italy) See more »

Also Known As:

Asediada See more »

Filming Locations:

Italy See more »

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Box Office

Opening Weekend USA:

$159,289, 23 May 1999, Limited Release

Gross USA:

$2,032,621, 1 August 1999
See more on IMDbPro »

Company Credits

Production Co:

Fiction,Navert Film,Mediaset See more »
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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Shot in an abandoned villa in Rome near the Spanish Steps. See more »


Soundtracks

Original soundtrack available on Milan/BMG Records
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User Reviews

 
Affecting Drama From Bernardo Bertolucci
21 May 2001 | by jhcluesSee all my reviews

During the first twenty minutes or so of `Besieged,' directed by Bernardo Bertolucci, there is virtually no dialogue, at least nothing even remotely conversational; and yet the first half hour of the film is almost hypnotically riveting, and by that point you already know more about the two main characters than if they'd had pages worth of words to say. And it's all done with the subtle, controlled emoting of the actors, guided by a director with a keen eye for detail, who knows exactly what he wants, how to get it and how to present it.

This emotionally involving film stars Thandie Newton as Shandurai, a young woman forced to leave South Africa for Rome after her husband, a school teacher, is arrested by the Military Police, then summarily held in prison-- and without a trial-- indefinitely (His crime is never precisely indicated, though it is implied during a classroom scene at the very beginning of the film). In Rome, Shandurai attends medical school, while supporting herself by working as a housekeeper for a man named Mr. Kinsky (David Thewlis), a reclusive pianist, apparently fairly well-to-do, who gives piano lessons to children in his home.

Early on in the film it is evident that Mr. Kinsky looks upon Shandurai as something more than merely a housekeeper; he is obviously quite taken with her. The moral implications of the situation are readily apparent, of course, as is the position in which it will predictably place Shandurai at some point in the near future. There is little doubt as to the direction the story is taking; the question that remains, however, is how Shandurai will deal with her impending dilemma.

The story becomes even more engaging as matters are pressed and circumstances develop which make Shandurai's conundrum even more of a moral miasma. Bertolucci draws his audience in by creating a situation so emotionally complex that at times it fairly resonates on the screen. And rather than allowing it to become simply a test of love and loyalty, he takes it much deeper-- so that the real impact of the film stems from the respective stances taken by Shandurai and Mr. Kinsky, as they strive to resolve their personal feelings while attempting to satisfactorily breach this seemingly insurmountable situation. Bertolucci draws a delicate line on which he balances the emotions, actions and reactions of his characters, which pays off handsomely in the end.

The overall success of the film, however, is predicated upon on thing-- that being the performances of Newton and Thewlis; and both deliver, unequivocally. Newton's role is especially challenging, as she has to convey so much through her emotions alone. Her gestures, expressions and mannerisms are her words; and the slightest alteration of any of these-- the slightest arch of an eyebrow, a shifting of the eyes at a particular moment or a barely discernible movement of her lips-- speaks volumes. And for this to be effective, it had to come from a place deep within; mere surface theatrics or any hint of pretentiousness at any time would have dispelled the believability of the character at once-- and Newton not only prevails, but does so overwhelmingly. It's an extremely well realized portrayal of a woman in conflict, facing one of the greatest trials of her life.

Thewlis, as well, gives a resoundingly sympathetic performance as Mr. Kinsky, that would have to be ranked among the best work he's ever done. As with Newton's role, he must convey so much physically, and he does-- turning in a very sensitive, well defined performance through which he employs just the right amount of reserve and restraint as befits the character he is creating. It's an affecting, honest portrayal that makes Mr. Kinsky very real and believable.

The supporting cast includes Claudio Santamaria, John C. Ojwang, Massimo De Rossi, Cyril Nri, Paul Osul and Veronica Lazar. Artistically rendered and subtle in nuance, `Besieged' explores the parameters of love and measures the limits of the boundaries expressed by the heart. An insightful treatise on human nature, it removes one emotional layer after another, right up to the very end-- which is a moment of truth nothing less than sublime. And one that will keep this film in your memory long after the screen has gone dark. I rate this one 8/10.


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