When the menace known as The Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
An ancient Ring thought lost for centuries has been found, and through a strange twist of fate has been given to a small Hobbit named Frodo. When Gandalf discovers the Ring is in fact the One Ring of the Dark Lord Sauron, Frodo must make an epic quest to the Cracks of Doom in order to destroy it. However, he does not go alone. He is joined by Gandalf, Legolas the elf, Gimli the Dwarf, Aragorn, Boromir, and his three Hobbit friends Merry, Pippin, and Samwise. Through mountains, snow, darkness, forests, rivers and plains, facing evil and danger at every corner the Fellowship of the Ring must go. Their quest to destroy the One Ring is the only hope for the end of the Dark Lords reign.Written by
Paul Twomey <firstname.lastname@example.org>
In the prologue, the above-water shot of Isildur, wounded by arrows after his invisibility-ring fell off, reveals the modern tread on the bottom of his shoes. See more »
The world is changed. I feel it in the water. I feel it in the earth. I smell it in the air. Much that once was is lost, for none now live who remember it. It began with the forging of the Great Rings. Three were given to the Elves, immortal, wisest and fairest of all beings. Seven to the Dwarf lords, great miners and craftsmen of the mountain halls. And nine, nine rings were gifted to the race of Men, who, above all else, desire power. But they were, all of them, deceived, for ...
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After the end credits, the DVD and Blu Ray editions of the extended cut feature a list of "Lord of the Rings fan-club members" who contributed financially to the project in exchange for a credit. This additional credit sequence lasts 20 minutes. See more »
The Extended Edition DVD includes the following changes to the film.
During the prologue, more is shown of the ambush and death of Isildur, emphasizing his betrayal by the Ring.
After the prologue, we open with a close-up of the Middle Earth map and pan to hear Bilbo writing his book, starting with a description of hobbits. Much of the Gandalf-Frodo dialog in their first scene together is removed, including the subtitle "60 Years Later".
When Gandalf and Bilbo are in Bag End, Bilbo notes that the people knocking on his door are the Sackville-Bagginses.
During the party, Bilbo greets a guest, then hides from the S.B's with Frodo. He tells Frodo how much the latter means to him.
After the Ringwraiths set out, the Hobbits (prominently Merry and Pippin) are shown dancing and singing in the Green Dragon Inn. References are made to troubles in the outside world and Frodo encourages Sam to pursue a relationship with Rosie Cotton.
After Frodo and Sam set out, they hear singing and find the woodelves leaving for the Gray Havens.
After the company leaves Bree, they pass through the Midgewater Marshes. Later, Aragorn brings a killed deer to the hobbits. Frodo wakes up late at night to hear Aragorn singing about Beren and Luthien.
The stone trolls from "The Hobbit" are shown.
Additional dialog between Aragon and Boromir during the "still sharp" scene with Narsil.
In the Council of Elrond, Boromir mentions his dream and reaches for the Ring. Gandalf recites the poem "One Ring to rule them all.." in black speech, causing the ground to shake and sun to go dark and provoking Elrond.
After the Council of Elrond, Aragorn visits his mother's grave and remembers Elrond telling him of his destiny. This is followed by another scene in which the company are sent off by Elrond and the elves.
Gandalf stops Frodo as they approach Moria to warn him about the Ring's power growing.
In the mines, Gandalf mentions mithril and lights up an old mithril mine. He notes the value of Bilbo's mithril shirt.
Additional fight scenes during the battle in the Chamber of the Marzabul.
Lothlorien is completely revised. The company are first on Haldir's left with the Elves distrusting Gimli and leery of Frodo.
Scene of the elves and the company approaching Caras Galadhon.
More dialog when Celeborn and Galadriel meet the company.
Sam recites a poem verse about Gandalf.
Galadriel acknowledges her possession of one of the elf-rings.
As the Fellowship leaves, Galadriel gives them each a personalized gift that will end up being critical to their future. Legolas gets a special bow, Sam gets some elven rope that comes in handy when he & Frodo make their way through the Emyn Muil, Frodo receives the Phial of Galadriel, and a touching moment occurs between Gimli and Galadriel.
Celeborn gives Aragorn a knife before they leave and warns them they are being tracked by something.
Boromir spots Gollum following the boats. Sam tries to get Frodo to eat or sleep. An exchange between Aragorn and Boromir about going to Minas Tirith before setting off for Mordor.
Extra action in the final battle.
An important extra line of dialog in Boromir's final scene.
10-15 minutes of fan club credits during the final credits.
Star Wars has been dethroned. Although George Lucas' movies are good in their own right (except for the juvenile elements he puts in to sell toys to finance the franchise), his scripts (which borrow heavily from J.R.R.Tolkien, mythology & religion) can't compare with the brilliance of the literary trilogy `The Lord of the Rings'. Granted, Lucas took on a herculean task in writing & directing his story himself, but Tolkien's words, along with Peter Jackson's faithful adaptation & inspired vision, have created something no one man could equal.
Of course, it helps that Jackson insisted on at least a 2 picture deal, & New Line Cinema was brave enough to foot the bill up front for 3 movies. They spent $180 million to film all 3 simultaneously. With the New Zealand exchange rate, that equals $360 million ($90 million ea.), but since they used many of the same sets, and FX development costs were spread throughout, we're seeing $120-$150 million on the screen. This will ensure consistency in plot, casting, tone, etc.
In 3 hours, Jackson has crammed everything essential from the first novel & then some into the film, rewriting some scenes & dialogue with lesser characters for the leads, leaving out only what there wasn't enough time for. Basically, you have two 90 min. movies running back to back. There are no slow spots, just one climax after another. From the opening 10 min. backstory where the Dark Lord Sauron is shown on the battlefield wiping out men & elves 10 at a time with each swing of his mace, I was blown away. The romance between Aragorn, king in exile, and Arwen, daughter of the elf-lord, is played up for the "Titanic" quotient, but it's well done.
The story, sets, costumes & FX are so rich, you'll have to see the film several times to absorb everything. The unspoiled New Zealand locales are spectacular, providing a variety of environments to represent the different settings on the characters' journey. The location sets are imaginative, detailed & weathered, adding to their believability, while the studio sets match them in meticulousness. The costumes are at once familiar & strange, drawing on both the medievil & the fantastic, but more important, they're also functional & practical. The music by Howard Shore is appropriately sweeping, Celtic & folky in keeping with the novel, although it lacks the memorable themes of John Williams or Jerry Goldsmith, but neither would commit a year or more to a 3 picture project. The FX are as they should be, unobtrusive & unnoticed most of the time, there only to support the story not draw attention away from it as in most Hollywood movies which try to coverup illogical plots & bad acting.
I'm particularly gratified by the casting of Viggo Mortenson as Aragorn which was a last minute stroke of luck when the actor first chosen for the part backed out due to differences with the director. I've always thought Mortenson had an intensity & striking but not pretty-boy looks that could portray a flawed, dangerous hero instead of the villains Hollywood always picked him for.
A stellar cast giving some of their best performances, visuals that deliver beyond what I imagined, a perfect mix of humor, passion & tragedy, and a feeling of grandeur, scope & impending doom. Perhaps as an ensemble piece with so many characters & the inability to concentrate on any one, it can't be measured against some of the classic character study films, but even the casual moviegoer can grasp the ideas & not get lost As far as I'm concerned, it's one of the greatest films of all time.
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