Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Derek Vineyard is paroled after serving 3 years in prison for brutally killing two black men who tried to break into/steal his truck. Through his brother's, Danny Vineyard, narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.Written by
Both Avery Brooks and Jennifer Lien are part of the Star Trek franchise. Avery played Captain Sisko on Star Trek: Deep Space Nine (1993) and Lien played Kes on Star Trek: Voyager (1995). One of the original themes of Star Trek was a multicultural collection of cast and characters coming together to solve problems of intolerance and bigotry as a social commentary of the 1960s. See more »
When Danny is printing his essay, the ink-jet printer makes a dot-matrix sound. See more »
I'm so sorry Doris. I really am. He's gone.
He's just a boy. Without a father.
Doris, you don't know the world your children are living in.
See more »
The New Line Cinema DVD features 3 scenes deleted from the original theatrical version:
A scene in which an elderly black woman is harassed and made to cry on the boardwalk by a bunch of teenage skinheads.
A scene after the "party", in which Cameron and Seth go to a café and discuss Derek's change. They then harass a black guy/white girl couple, and then leave. A car is waiting outside, in which several black men watch them leave, before going after them. One black man inside the car remarks "Somebody's gonna get their ass whipped." The aftermath is not shown, but we later learn that Cameron and Seth were attacked.
A brief scene in the café near the end in which Derek winks at a little black girl and asks her if he looks okay.
I was expecting a kind of a moralistic movie with an overly present, almost preaching like message. The movie however turned out to be extremely powerful mainly due to the professionalism it was made with.
The movie its story is told 'beautifuly' in black & white and color. The quite original directing from Tony Kaye gives the movie a nice visual style and certain atmosphere. The story itself isn't that complicated or extremely original on its own and perhaps at most points even predictable but the way the story is told is phenomenal. This is not a movie with an happy ending or a movie that provides a solution to the racial discrimination problems. It shows what is NOT the solution to the problems and that everything that is occurring is like a vicious circle. The movie does not give a hopeful message but instead shows the dangers and pain you're causing to yourself and your close environment when you're thinking as a white supremacist.
As an anti Neo-Nazi movie this movie works really powerful. I think that its a really good and important thing that this movie is often shown in classrooms.
Edward Norton is truly fantastic in his role. He is very well believable as a Neo-Nazi as well as the reformed person he later turns into in the movie. It's almost like he's playing 2 different characters and he does that so extremely well. Also really good was Edward Furlong who we all long had not seen in a big production. Furlong and Norton are both acting well together in their scene's are highly believable as two brothers.
Also surprising good was the musical score by Anne Dudley who had already won an Oscar for "The Full Monty", the year before.
This was a movie that surprisingly impressed me. As a movie its extremely powerful and important.
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