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Trainspotting (1996)

R | | Drama | 9 August 1996 (USA)
Trailer
1:55 | Trailer
Renton, deeply immersed in the Edinburgh drug scene, tries to clean up and get out, despite the allure of the drugs and influence of friends.

Director:

Danny Boyle

Writers:

Irvine Welsh (based on the novel by), John Hodge (screenplay)
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Popularity
715 ( 217)
Top Rated Movies #160 | Nominated for 1 Oscar. Another 23 wins & 33 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ewan McGregor ... Renton
Ewen Bremner ... Spud
Jonny Lee Miller ... Sick Boy
Kevin McKidd ... Tommy
Robert Carlyle ... Begbie
Kelly Macdonald ... Diane
Peter Mullan ... Swanney
James Cosmo ... Mr. Renton
Eileen Nicholas ... Mrs. Renton
Susan Vidler ... Allison
Pauline Lynch Pauline Lynch ... Lizzy
Shirley Henderson ... Gail
Stuart McQuarrie ... Gavin / US Tourist
Irvine Welsh ... Mikey Forrester
Dale Winton ... Game Show Host
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Storyline

A wild, freeform, Rabelaisian trip through the darkest recesses of Edinburgh low-life, focusing on Mark Renton and his attempt to give up his heroin habit, and how the latter affects his relationship with family and friends: Sean Connery wannabe Sick Boy, dimbulb Spud, psycho Begbie, 14-year-old girlfriend Diane, and clean-cut athlete Tommy, who's never touched drugs but can't help being curious about them... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Never let your friends tie you to the tracks. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for graphic heroin use and resulting depravity, strong language, sex, nudity and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

UK

Language:

English

Release Date:

9 August 1996 (USA) See more »

Also Known As:

Trainspotting See more »

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Box Office

Budget:

$3,500,000 (estimated)

Opening Weekend USA:

$262,673, 21 July 1996

Gross USA:

$16,491,080

Cumulative Worldwide Gross:

$16,593,356
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In 1999, it was ranked #10 on the British Film Institute's 100 Greatest British Films of the 20th Century. See more »

Goofs

When Renton is in his bedroom being forced off heroin by his parents and the baby is crawling across the roof towards him after Sickboy has made an appearance, there is a close-up shot of Renton cowering against the pillow. The shadow of the camera is visible against his face and the pillow. See more »

Quotes

[first lines]
Mark "Rent-boy" Renton: [narrating] Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck ...
See more »

Crazy Credits

Profile pictures of the cast are shown during the beginning of the end credits. See more »

Alternate Versions

The first 20 minutes of the film had some re-dubbing for the USA release to make the dialogue more intelligible for American audiences. See more »

Connections

Referenced in Film Discussions: Iron Fist Discussion (2017) See more »

Soundtracks

Dark and Long
(Dark Train Mix)
Performed by Underworld
Written by Rick Smith / Karl Hyde / Darren Emerson
Published by Sherlock Holmes Music Ltd
Courtesy of Junior Boy's Own, London
See more »

Frequently Asked Questions

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User Reviews

Superb
6 March 2003 | by Sean-MSee all my reviews

An extremely competent look at the Scottish drug-Scene, Trainspotting is a perfect example of the potential of the UK industry to tell a story of tragedy, horror and hope in a manner that the American industry has yet to do without drifting into tired Cliche. While the manner and style of delivery are extremely funny and at times appear almost unreal, the fact remains that these characters are real. The clearly psychotic and alcoholic Begbie, played by Robert Carlyle is a supporting role that is actually of immense value to the film. Here we have character who I've met, you've met and we've all met. A man with very little to lose absorbed in a sea of alcohol and prone to violence. I choose him as example because he isnt even involved in the drug-scene in which the main characters are central. In fact his opposition is somewhat humorous when we consider his own vices make him argueably worse off and the incidences of violence he becomes involved in

are most definitely black humour. Considering what is actually happening isnt funny, watching it play out, aside from one major incident, is extremely funny. And that is the tone of the film throughout, as characters continually talk nonsence and sail through the lives they have chosen, making very little progress, but instead drifting downwards until an opportunity presents itself to change their ways, where upon Renton, Ewan McGregor, must make a choice between his own life or his friends. McGregor himself is excellent in the film that made him, as is Jonny Lee Miller, who surprised me in this film by having a more thought-provoking character than the script and time strictly allowed considering his relatively minimal place in the main storyline. Ewen Bremner provided some excellent and often well-needed comic relief and Carlyle as I mentioned, was outstanding. This film is both real and unreal, taking the Humour of "Human Traffic" and the somber tone of "My name is Joe" and blending them together to create an unforgettable experience vividly accompanied by strains of "Perfect day" and other cultural and nostalgic sounds, particularly of the place and period. Trainspotting has been accused of glamourising drug-use but I firmly believe anyone who takes this view hasnt watched it properly. The fun is equally, if not more so, matched by some nasty images and for the time it was released, provided what was a very necessary look at the growing drug industry, the loss it creates and the hope that can arise. Superb.


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