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Heat (1995)

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A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist.

Director:

Michael Mann

Writer:

Michael Mann
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Popularity
440 ( 9)
Top Rated Movies #117 | 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Al Pacino ... Lt. Vincent Hanna
Robert De Niro ... Neil McCauley
Val Kilmer ... Chris Shiherlis
Jon Voight ... Nate
Tom Sizemore ... Michael Cheritto
Diane Venora ... Justine
Amy Brenneman ... Eady
Ashley Judd ... Charlene Shiherlis
Mykelti Williamson ... Sergeant Drucker
Wes Studi ... Casals
Ted Levine ... Bosko
Dennis Haysbert ... Donald Breedan
William Fichtner ... Roger Van Zant
Natalie Portman ... Lauren Gustafson
Tom Noonan ... Kelso
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Storyline

Hunters and their prey--Neil and his professional criminal crew hunt to score big money targets (banks, vaults, armored cars) and are, in turn, hunted by Lt. Vincent Hanna and his team of cops in the Robbery/Homicide police division. A botched job puts Hanna onto their trail while they regroup and try to put together one last big 'retirement' score. Neil and Vincent are similar in many ways, including their troubled personal lives. At a crucial moment in his life, Neil disobeys the dictum taught to him long ago by his criminal mentor--'Never have anything in your life that you can't walk out on in thirty seconds flat, if you spot the heat coming around the corner'--as he falls in love. Thus the stage is set for the suspenseful ending.... Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Plot Synopsis

Taglines:

An L.A. Redemption See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA

Language:

English | Spanish

Release Date:

15 December 1995 (USA) See more »

Also Known As:

Heat See more »

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend USA:

$8,445,656, 17 December 1995

Gross USA:

$67,436,818

Cumulative Worldwide Gross:

$187,436,818
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

U2 isn't mentioned during the song credits, but a 30 second instrumental music track of their making can be heard, when Al Pacino is driving towards the nightclub to meet the snitch. See more »

Goofs

When the news reporter is sharing the story about the robbery, it is stated that "A bank robbery that spilled into the streets took place in a small southland neighborhood." The shooting actually takes place in downtown Los Angeles. Mike tells the police to set up roadblocks at intersections of Flower as well as Figueroa. These are streets in downtown Los Angeles. See more »

Quotes

[first lines]
Construction Clerk: Check, charge, or cash?
See more »

Alternate Versions

Director Michael Mann made two minor changes to the film for the Blu-ray release:
  • During Justine's conversation with Vincent at the restaurant, her line "You sift through the detritus" has been removed and instead a silent reaction shot of Vincent was inserted.
  • Vincent's line "Ferocious, aren't I?", said after he screams at Alan Marciano, has been removed. Since only the audio was changed, the image stayed the same.
See more »

Connections

Referenced in Ronin: Venice Film Festival Interviews (1998) See more »

Soundtracks

Gringatcho Demento
Written by William Orbit and Cleo Torez
Performed by William Orbit
Courtesy of I.R.S. Records / Virgin Records, Ltd.
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Frequently Asked Questions

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User Reviews

 
The best character film of all time.
23 June 2000 | by aborigineeSee all my reviews

Sound like a bold statement? Devotees of classic cops and robbers flicks of old will no doubt take exception, but I believe that Michael Mann achieved some measure of perfection with Heat. To break this three-hour gem of a film down to its core, this is a film about men - strong men - and the supporting role that he women of the film have on them for better or worse. Take Pacino as good cop Vincent Hanna: one of the most intense characterizations of the tragic hero that I have ever witnessed, as he laments the demise of his third marriage to a pill-junkie wife. A fact which he discusses with his archnemesis (De Niro) in what history will regard as one of the most frenetic scenes in the history of film. The dialogue in this scene (at the very end of the first tape, if you own the VHS version) sets up the last half of the film beautifully, as our two rivals come to the joint realization that they have no hand in choosing the paths that will lead them to their ultimate confrontation: their very natures so define their respective actions that any attempt to do otherwise would simply be a waste of time. While I have heard others (who I am ashamed at times to call close friends) say that Heat drags in places, I will concede that there are moments in the film that require more than the cursory attention that they give to the movie they happen to be watching at any given time (I'm sorry not every director is Jerry Bruckheimer), there are poignant developments of character in Heat that many would casually disregard. I am thinking of the interaction between the ex-con who finds conditional employment in a diner with an opportunistic scum of a boss, and whose girlfriend is so proud of him for swallowing his pride and not simply giving the sonofabitch a good pummeling. But there is a catharsis that I felt for that same ex-con when De Niro's character presents him with the opportunity to take just one more score, for old time's sake. Who doesn't feel for this guy - this minor character in a film with big-time heavyweights who gets to shine for a few brief moments. That's what Heat is really: a series of brief moments, some touching, others traumatic, and still others incredibly horrifying in the feelings that they inspire in the romantic who, like me sees not black or white portrayals of protagonist and villain, but a montage of grays that combine to create a vivid spectrum of film characterization that could not be found in hundreds of films combined. One of my five favorite films of all time, Heat is a cinematic banquet of intense imagery and pulse-pounding action. Come hungry.


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