F.B.I. trainee Clarice Starling (Jodie Foster) works hard to advance her career, while trying to hide or put behind her West Virginia roots, of which if some knew, would automatically classify her as being backward or white trash. After graduation, she aspires to work in the agency's Behavioral Science Unit under the leadership of Jack Crawford (Scott Glenn). While she is still a trainee, Crawford asks her to question Dr. Hannibal Lecter (Sir Anthony Hopkins), a psychiatrist imprisoned, thus far, for eight years in maximum security isolation for being a serial killer who cannibalized his victims. Clarice is able to figure out the assignment is to pick Lecter's brains to help them solve another serial murder case, that of someone coined by the media as "Buffalo Bill" (Ted Levine), who has so far killed five victims, all located in the eastern U.S., all young women, who are slightly overweight (especially around the hips), all who were drowned in natural bodies of water, and all who ...Written by
Dr. Hannibal Lecter. Brilliant. Cunning. Psychotic. In his mind lies the clue to a ruthless killer. - Clarice Starling, FBI. Brilliant. Vulnerable. Alone. She must trust him to stop the killer. See more »
When Sir Anthony Hopkins found out that he was cast as Dr. Hannibal Lecter, based on his performance as Dr. Frederick Treves in The Elephant Man (1980), he questioned director Jonathan Demme, and said "But Dr. Treves was a good man", to which Demme replied "So is Lecter, he is a good man too. Just trapped in an insane mind." See more »
In the novel "Hannibal", it is said that Clarice is 32, if that holds true for the movie that means that Clarice would have been 22 in "Silence of the Lambs", as this movie takes place 10 years before the "Hannibal" movie. Clarice would have been a year too young to apply for the FBI, as you must be 23 to apply. See more »
After the Copyright notice and MPAA logo, a logo appears with the text "A Luta Continua". This is not a production company credit; instead, it's Portuguese for "The Struggle Continues" ("To be continued"). See more »
The Finnish VHS version removes Hannibal Lecter beating Pembry against the cell's bars, and spraying liquid to his eyes (along with the shots of the cuffed guard screaming Jesus Christ!, and a shot of him trying to break loose). 2. Lecter beating a guard with a nightstick several times (reduced from six hits to one!). 3. A outdrawn sequence that comes right after Lecter has whacked the guards (where he plays music and walks across the dead guard's body) is completely removed (along with Lecter's dialogue Ready when you are, sergeant Pembry). 4. Right after Buffalo Bill is shot by Clarice Starling there is a long-lasting (about fifteen secs) shot of his bloody dead body, that in the cut version is not that long anymore. See more »
Sweeping all five major Academy Awards ("Oscars" for Best Movie, Director, Actor, Actress, Screenplay) is quite an accomplishment. Doing it nearly a year after a film was released is a miracle considering the notoriously short attention span of Oscar voters. It is a powerful example of how great a movie can be when superb writers, directors, actors, and others work at the top of their craft.
`Silence of the Lambs' is the story of a young FBI trainee Clarice Starling (Jodie Foster) who is summoned to help find one serial killer called `Buffalo Bill.' by interviewing another. Foster's performance is absolutely brilliant. While Anthony Hopkins receives most of the (well-deserved) praise for his chilling portrayal of incarcerated serial killer `Hannibal the Cannibal' Lector', it is Foster's performance that holds the movie together. The fear she shows just behind her eyes makes Clarice's outward courage all the more interesting and vulnerable. This is the perfect way to play the part because it explains Lector's interest in Clarice. Her only bargaining chip in getting Lector's help is to let him `feed' on her innermost secrets and fears in exchange for his brilliant insights into the psychotic mind. The title of the movie comes from these exchanges and is very poignant.
Director Jonathan Demme is masterful. There is one scene late in the movie that I will not spoil. It is one of the most simply brilliant scenes ever staged in a movie. I don't know if all the credit goes to Demme or the writers, but there is a moment in the film where the suspense builds beautifully to a what seems to be a common movie scene. However, through skillful timing of the direction, the audiences assumptions are used against them and when the truth is revealed (hint: it involves a doorbell) it is shocking and induced a collective gasp from the audience I saw it with at the theatre. It set the stage for an edge-of-your seat climax.
Do not miss this movie.
The movie is incredibly suspenseful and an absolute must see.
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