Having lived a life in selfishness, a young prince is cursed by a mysterious enchantress to having the appearance of a monstrous beast. His only hope is to learn to love a young woman and earn her love in return in order to redeem himself. Years later, his chance shows itself when a young maiden named Belle offers to take her ill father's place as his prisoner. With help from the castle's enchanted staff, Belle learns to appreciate her captor and immediately falls in love with him. Back in the village however, an unscrupulous hunter has his own plans for Belle.Written by
Glen Keane, the supervising animator on the Beast, created his own hybrid beast by combining the mane of a lion, the beard and head structure of a buffalo, the tusks and nose bridge of a wild boar, the heavily muscled brow of a gorilla, the legs and tail of a wolf, and the big and bulky body of a bear. He also has blue eyes, the one physical feature that does not change whether he is a beast or a human. See more »
In the beginning of the opening number, Belle buys a baguette and puts it in her waist pouch from which it visibly protrudes. But you never see it again throughout the number and towards the end of the number her waist pouch looks flat. She didn't eat it and she didn't give it away. See more »
Once upon a time, in a faraway land, a young prince lived in a shining castle. Although he had everything his heart desired, the prince was spoiled, selfish, and unkind. But then, one winter's night, an old beggar woman came to the castle and offered him a single rose in return for shelter from the bitter cold. Repulsed by her haggard appearance, the prince sneered at the gift and turned the old woman away. But she warned him not to be deceived by appearances, for beauty is found ...
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"To our friend, Howard, who gave a mermaid her voice and a beast his soul, we will be forever grateful. Howard Ashman (1950-1991)" See more »
When the movie was released on DVD in October 2002, it offered three versions of the film: The "Special Edition" (the 2002 IMAX re-release), the "Work-In-Progress Edition" (with Belle in the "Be Our Guest" sequence; the original work-in-progress cut featured Maurice in this sequence), and the "Original Theatrical Release". The "Work-In-Progress Edition" and the "Original Theatrical Release" are both actually identical to the 2002 IMAX/"Special Edition" re-release, except that it retains the original animation of the footage from the end of "Something There" until Belle's release from the castle (this includes the retention of Cogsworth's original animation in his conversation with the Beast after Belle is freed) and the original end credits sequence. All of the other edits that were made to the 2002 IMAX re-release (the cleaned-up animation, no stuttering Beast, etc.) are also present in this version. See more »
When an arrogant Prince turns away an old woman looking for shelter with only a rose for a gift, she warns him not to just take the surface appearance as being the all of a person; however he rejects her a second time only for her to reveal herself as a beautiful enchantress. She casts a spell on him, turning him into a beast with the only hope of return being to fall in love with a woman and have her fall in love with him before the rose wilts and dies. Resembling a carpet stuffed with walnuts, the prince figures he has no chance and withdraws into his castle. When an elderly man wanders into the castle, the Beast holds him prisoner and only lets him go when his daughter, Belle, offers to replace him in the Beast's castle. With time running out, the Beast's staff hope that Belle will be the one to break the curse but the Beast cannot remember how.
Being quite a cynical, acerbic person I must admit that I prefer modern animated films that deliver lots of adult humour along with a good emotional story and often I struggle to enjoy films that take the more traditional Disney route. However with this film I was quite taken by how classy the whole affair was, with great effort being shown in every area from the animation, to the songs through to the emotionally involving story whose telling is touched with a nice sense of wonder throughout. The story doesn't really hit many bum notes (I thought Gaston's sidekick was a bit too obvious and half cooked) and it is interesting and enjoyable for the vast majority of the time. The story and comedy is aimed at both adults and children but the stuff for kids is not basic pratfalls, nor is the adult material just a load of references or suggestive jokes. Instead the two are quite well blended with good physical comedy and plenty of wit. Again, it is the sense of spectacle and wonder that came through that I really appreciated.
The animation feels more impressive for the reliance on mostly traditional animation rather than computer effects in fact the computer effects look a bit dated now, even if they do still produce the goods in some key scenes. Mainly it is the feeling that every frame has had a lot of effort and love put into it that makes the whole affair feel classy. The songs are also great and feature quite a few memorable songs that stick in the mind; meanwhile the choreography of these scenes is generally very imaginative (Be Our Guest was my favourite). The cast don't feature many big stars and perhaps this is good because the real people don't distract from their characters. That said, I thought that Benson, O'Hara, White and a few others were quite unremarkable even if they were good enough for the film. Orbach, Stiers, Lansbury and others provided comic work in the support characters and everything worked well.
Overall this is a really classy animated film that shows the effort and care put into it in many different regards. It does suffer a bit from cuteness and sentimentality but I didn't think this was a massive problem or something that was not to be expected from Disney and generally I really enjoyed the film and see it as one of the films that define Disney for people of my generation.
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