A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Signing a contract, Jack Torrance, a normal writer and former teacher agrees to take care of a hotel which has a long, violent past that puts everyone in the hotel in a nervous situation. While Jack slowly gets more violent and angry of his life, his son, Danny, tries to use a special talent, the "Shining", to inform the people outside about whatever that is going on in the hotel.Written by
J. S. Golden
The "snowy" maze near the conclusion of the movie consisted of nine hundred tons of salt and crushed Styrofoam. See more »
The McDonnell Douglas DC-10 pictured in-flight as Dick Hallorann's trip from Miami to Denver's Stapleton Airport is Continental Airlines N658052 wearing Continental's Saul Bass designed "Jet Stream" livery with its "meatball" logo on the tail. The subsequent snowy scene showing a DC-10 landing is of a United Airlines aircraft wearing their 1974-1993 "Tulip" livery, also designed by Bass. See more »
Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
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THE END appears as the closing credits have finished. See more »
Early releases featured end credits in the same blue as in the opening titles, instead of the white credits seen today. See more »
The Shining is a masterclass in film-making and a staple of popular culture. I, personally, cannot stand horror films. I don't like to feel scared, and I don't like to have my emotions manipulated by scary monsters, scary music, scary lighting, etc. I feel like horror is an easy genre - it's easy to scare some people, and people go to movies hoping to feel something, so why not fear?
But, I had heard a lot about The Shining. I decided I would look up the plot and watch some clips so I wouldn't be caught off-guard by anything, and I could just appreciate the characters, directing, cinematography, etc.
Despite knowing everything that would happen, the film was unbelievably engaging. I couldn't take my eyes off the screen. Jack Nicholson, of course, steals the show with one of the most iconic performances ever, and the other actors were decent, but the real star was Kubrick himself. Every shot, every set, the sound design, and everything has his fingerprints all over it, and it is such a delight to watch. When Jack advances up the stairs demanding the bat from Shelley Duval, I grinned from ear to ear because everything in that moment was just perfect in film.
The movie, like all others, has problems. In my opinion, the Grady girls and the bloody elevator do not hold up. I knew they were coming from the summaries I had read, so I knew what to expect, so the only reason I could see them as being scary or unsettling is if the viewer was caught off-guard. If you're pretty feminist, you're not going to like Shelley Duval's character, as she is a pretty weak character.
All in all, this film is fantastically-made, a cinematic and acting delight, and a gripping horror film that is considered a classic for a reason.
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