Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
After the Rebels are brutally overpowered by the Empire on the ice planet Hoth, Luke Skywalker begins Jedi training with Yoda, while his friends are pursued by Darth Vader and a bounty hunter named Boba Fett all over the galaxy
After a daring mission to rescue Han Solo from Jabba the Hutt, the Rebels dispatch to Endor to destroy the second Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
Three years into the Clone Wars, the Jedi rescue Palpatine from Count Dooku. As Obi-Wan pursues a new threat, Anakin acts as a double agent between the Jedi Council and Palpatine and is lured into a sinister plan to rule the galaxy.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé Amidala, while Obi-Wan Kenobi investigates an assassination attempt on the senator and discovers a secret clone army crafted for the Jedi.
Three decades after the Empire's defeat, a new threat arises in the militant First Order. Defected stormtrooper Finn and the scavenger Rey are caught up in the Resistance's search for the missing Luke Skywalker.
The Imperial Forces, under orders from cruel Darth Vader, hold Princess Leia hostage in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker and Han Solo, captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 and C-3PO to rescue the beautiful princess, help the Rebel Alliance and restore freedom and justice to the Galaxy.Written by
70 mm 6-Track
(70 mm prints)|Dolby
(as Dolby System) (35 mm prints) (1977 print)|DTS-Stereo
(as DTS Stereo® in selected theatres) (1997 print)|Dolby Digital
(as Dolby® Digital in selected theatres) (1997 print)|SDDS
(as Sony Dynamic Digital SoundTM in selected theatres) (1997 print)|Mono
(some 35 mm prints) (other 16 mm prints)
Most of the planets, moons, et cetera seen in the movies were just balls that were painted. However, unlike the planets, an actual model was built of the Death Star, because there were constant shots of vehicles approaching it. See more »
When Han Solo answers the communications link after killing the detention center guards, wood grain panel texture is seen on the side of the console. See more »
Did you hear that? They shut down the main reactor. We'll be destroyed for sure. This is madness.
See more »
The Star Wars main theme leads in from the 20th Century Fox fanfare. See more »
Stills from the "lost" Tatooine scenes have been published (in "The Star Wars Storybook", for example) and at least one sequence is shown in the documentary 'The Making of 'Star Wars'". Also, the scenes were included in the novel, comic book and radio adaptations of the story. See more »
I was actually born about a year after this film first premiered, but being a member of a family that was the first on the block to get such things as the VCR and the proper Hi-Fi system allowed me to catch this film in a number of different formats in the years ranging from 1982 to 1997. I think it is safe to say that without this film, I would have had no idea how truly evil a thing Pan And Scan is, or why multi-channel audio is such a damned important thing to have in the home theatre environment.
Of course, I also knew that the film wasn't perfect. I could see a number of small problems where Lucas' budget just didn't quite go far enough, or where there just wasn't enough time to accomplish what was wanted. So when the announcement was made that in 1997, each film would be presented with improved special effects and footage that could not be integrated in the original cut for reasons of budget or practicality, I was excited.
For the most part, I was overjoyed to see the new footage or effects. Mos Eisley now looks like a real city or port of commerce, without the viewer's sense of disbelief at the seemingly deserted streets needing to be suspended. The flight of the X-Wings towards the Death Star in its original form was very good, a marvel of its time, but when George finally got to show it the way he wanted to, it was almost the equivalent of watching the helicopters of Apocalypse Now decimating the village to the tune of Ride Of The Valkyries. The wonderfully composed tracking shots especially made the battle look almost as if it really happened and Lucas was just there to take pictures. And Jabba? Well, he doesn't look all that real, granted, but it was just nice to have that one piece of footage in order to make the appearance of Boba Fett in Episode V and the entire prologue of Episode VI make a bit more sense, especially to dullards.
Unfortunately, there are a number of times when Lucas just goes too far in his quest to improve his work. Sometimes you can only do so much to anything before it starts to look overdone. Of course, I am talking about the scene between Han and Greedo in the cantina. In the original version, we are led to believe Han is a scoundrel who only cares about himself, giving us one of the best character arcs in the whole trilogy. It is also a great tribute to Sergio Leone, a nice reference to when Tuco shoots a potential assassin from his bathtub and tells the corpse "When you have to shoot, shoot, don't talk!". Modifying this scene so it looks like Greedo shot first is an insult on a few levels. It insults Greedo as a character, making him look like one of the most incompetent bounty hunters in the galaxy. It insults the audience, who even at the age of six should no that you'd have to be blind, drunk, brain-damaged, or all three, to miss from that distance. Lastly, it insults the character of Han Solo by destroying a vital piece of said character arc. Watching Han go from scum to a leader of men, a space-age version of King Aragorn even, was one of the best things about the original Star Wars trilogy.
The story itself is the stuff of classics in that it shows the most unlikely of heroes doing things that everyone else claims to be impossible. What Lucas got right in terms of pacing and plot here is exactly where he went wrong in the prequels, in that he makes the jump from location to location seem important to the plot and totally natural, rather than forced and choppy. The story and sense of adventure makes one forget that there are really only three major locations other than the inside of a space ship.
Overall, the original Star Wars rates an eight out of ten. If Lucas had applied some common sense in conjunction with his rampant desire for revisionism, I would give it a ten, but as one critic who is famous for his negativity once said about Episode II, when was the last time anyone told George Lucas no? Still, this is a classic that should be shown to future generations as an example of how an imagination and enough literacy to realise it will open doors for you when nothing else will.
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