A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
Travis Bickle is an ex-Marine and Vietnam War veteran living in New York City. As he suffers from insomnia, he spends his time working as a taxi driver at night, watching porn movies at seedy cinemas during the day, or thinking about how the world, New York in particular, has deteriorated into a cesspool. He's a loner who has strong opinions about what is right and wrong with mankind. For him, the one bright spot in New York humanity is Betsy, a worker on the presidential nomination campaign of Senator Charles Palantine. He becomes obsessed with her. After an incident with her, he believes he has to do whatever he needs to make the world a better place in his opinion. One of his priorities is to be the savior for Iris, a twelve-year-old runaway and prostitute who he believes wants out of the profession and under the thumb of her pimp and lover Matthew.Written by
Due to a garbage strike, much of the on-screen filth is real. See more »
The first time we see Travis enter Iris' building, after meeting Matthew, we see a woman standing on the first floor balcony over the door wearing a yellow top and people in the windows. The next day, after Travis and Iris have lunch together, we again see the building and the exact same people are in the exact same positions including the lady in the yellow. See more »
The original television version of the film featured the following disclaimer before the closing credits: "To our Television Audience: In the aftermath of violence, the distinction between hero and villain is sometimes a matter of interpretation or misinterpretation of facts. 'Taxi Driver' suggests that tragic errors can be made.- The Filmmakers." See more »
When shown on American terrestrial TV, it was heavily cut by 15 minutes or more. Many dialogue scenes had obvious jumps because of missing pieces, the shooting sequence was made short and confusing, and the following pans down the hallway were removed. This version also had a disclaimer card added before the end credits. There's also a parental advisory before the movie begins. See more »
"Travis Bickle" has to be one of the most fascinating characters ever put on film, and this has to still rank as one of the best post-film noir era "noirs" ever made.
Yeah the story is a bit seedy but it's an incredibly interesting portrait of a mentaly unbalanced cab driver (Bickle, played by Robert De Niro) and his obsessions with "cleaning up" New York City.
In addition to De Niro's stunning performance, we see a young and gorgeous Cybill Shepherd and a very, very young (12 years old) Jodie Foster. I've always wondered what kind of parents would allow their 12-year-old daughter to play a role like this, but that's another subject. Albert Brooks, Harvey Keitel (with shoulder-length hair!) and Peter Boyle all lend good supporting help.
Bickle's transformation from a "disturbed" cabbie to a fully-deranged assassin is fantastic to watch, and includes one of the classic scenes in all film history: Bickle talking to the mirror and repeating the question, "You talking' to me?" That scene, and seeing De Niro in a Mohawk haircut later at a political rally are two scenes I'll never forget.
The more times I've watched this, the more I appreciate the cinematography and the music in here. There are some wonderful night shots of the city's oil and rain-slicked streets. Also, Bernard Herrmann eerie soundtrack is an instrumental part of the success of this film and should never be neglected in discussing this film.
Director Martin Scorcese has made a number of well-known (but not particularly box-office successful) films, and I still think this early effort of his was his best. He's never equaled it, although I think he and De Niro almost pulled it off five years later with another whacked-out character, "Rupert Pupkin" In "The King Of Comedy."
In any case, there is no debate that Scorcese and De Niro are a great team and that Taxi Driver is one of the most memorable movies of the Seventies.
44 of 66 people found this review helpful.
Was this review helpful to you?
| Report this