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The Exorcist (1973)

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When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter.

Director:

William Friedkin

Writers:

William Peter Blatty (written for the screen by), William Peter Blatty (novel)
Popularity
780 ( 7)
Top Rated Movies #246 | Won 2 Oscars. Another 14 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ellen Burstyn ... Chris MacNeil
Max von Sydow ... Father Merrin
Lee J. Cobb ... Lt. William Kinderman
Kitty Winn ... Sharon
Jack MacGowran ... Burke Dennings
Jason Miller ... Father Karras
Linda Blair ... Regan
William O'Malley ... Father Dyer (as Reverend William O'Malley S.J.)
Barton Heyman ... Dr. Klein
Peter Masterson ... Dr. Barringer - Clinic Director (as Pete Masterson)
Rudolf Schündler ... Karl
Gina Petrushka Gina Petrushka ... Willi
Robert Symonds ... Dr. Taney
Arthur Storch ... Psychiatrist
Thomas Bermingham Thomas Bermingham ... Tom - President of University (as Reverend Thomas Bermingham S.J.)
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Storyline

A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the necessity for a show-down with an old demonic enemy. Written by Andrew Harmon <aharmon@erols.com>

Plot Summary | Plot Synopsis

Taglines:

The movie you've been waiting for...without the wait. See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for strong language and disturbing images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Latin | Greek | French | German | Arabic | Kurdish

Release Date:

26 December 1973 (USA) See more »

Also Known As:

William Peter Blatty's The Exorcist See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

70 mm 6-Track (1979 re-release)| DTS-ES (director's cut)| Dolby Digital EX (director's cut)| Mono (original release)| SDDS (director's cut)

Color:

Color (Metrocolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

For the vomiting sequences, Eileen Dietz doubled (uncredited) for Linda Blair, and later sued unsuccessfully for puking credit. Makeup veteran Dick Smith rigged Dietz's facial contours with sheets of heat-formed plexiglass that were secured at the corners of her mouth and behind her head. A camouflaged nozzle anchored in Dietz's oral cavity provided the apparatus through which the "vomit" could be forcefully discharged, fed by supply tubes discreetly embedded in the plexiglass on both sides of her face. Such was the complexity of the set-up that Dietz could barely swallow or close her mouth. See more »

Goofs

Wires holding Regan can be clearly seen during the exorcist levitation scenes. See more »

Quotes

[first lines]
Boy: [in Arabic] They've found something... small pieces.
See more »

Crazy Credits

There are no opening credits after the title. Although it is commonplace now, it was unheard of in 1973. See more »

Alternate Versions

The scene where the Demonic entity leaves Father Karres was originally done by filming Jason Miller in possession makeup, then stopping the camera and shooting him again with the makeup removed. This creates a noticeable jump in Father Karress's position as he is unpossessed. The 25'th anniversary video releases of "The Exorcist" smooth over the jumpy transition with a subtle computer morph effect. This updated effect was not featured in the prints used for the 75th Anniversary Warner Brothers film festivals See more »

Connections

Featured in The Future of Fear (2011) See more »

Soundtracks

(Tutti) Threnody I: Night of the Electric Insects
Written by George Crumb
Courtesy of Composers Recordings, Inc.
See more »

Frequently Asked Questions

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User Reviews

 
Still a powerful film, more than thirty years on...
28 August 2006 | by stephenneale67See all my reviews

More than thirty years on, The Exorcist remains a very powerful film and was a cinematographic milestone in 1973. Repeated duplication of the genre has, no doubt, 'desensitized' a new generation of movie-watchers, though it remains an unnerving masterpiece. It is not difficult to understand why the film generated such a seismic global impact all those years ago, since it imposed an unprecedented sensory attack on the viewer. Regan's vile physical appearance, combined with her vile language and blasphemous diatribe sent a shock wave around the world. Moreover, many people seemed to believe the claims that the film was based on a true story and could therefore actually happen to them. Electricity consumption must have soared for several months in 1973 as people who had seen the film slept with their lights on! It is still not a film I would feel comfortable watching before going to bed. On another level, I found parts of it profoundly moving and actually cried at the end when Regan was finally released from her possessor and wept in the arms of her mother and Father Damien, having lunged himself through a window and down a precipitous flight of steps, managed to find just enough life in himself to indicate that he had retained his faith and repented of his sins by motioning his fingers in the sign of penitence when comforted by a distraught colleague. Possibly the only thing that lets the film down if one really sits and thinks about it is the underpinning concept that an ancient demon which had existed since the dawn of time should wish to possess the body of a twelve year old child and emit a string of juvenile profanities. But then the film was designed to shock all along!


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