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Spartacus (1960)

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2:43 | Trailer
The slave Spartacus leads a violent revolt against the decadent Roman Republic.

Director:

Stanley Kubrick

Writers:

Dalton Trumbo (screenplay), Howard Fast (based on the novel by)
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Popularity
2,483 ( 256)
Won 4 Oscars. Another 8 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Kirk Douglas ... Spartacus
Laurence Olivier ... Crassus
Jean Simmons ... Varinia
Charles Laughton ... Gracchus
Peter Ustinov ... Batiatus
John Gavin ... Julius Caesar
Nina Foch ... Helena Glabrus
John Ireland ... Crixus
Herbert Lom ... Tigranes Levantus
John Dall ... Marcus Publius Glabrus
Charles McGraw ... Marcellus
Joanna Barnes ... Claudia Marius
Harold J. Stone ... David
Woody Strode ... Draba
Peter Brocco ... Ramon
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Storyline

In 73 B.C., a Thracian slave leads a revolt at a gladiatorial school run by Lentulus Batiatus (Sir Peter Ustinov). The uprising soon spreads across the Italian Peninsula involving thousand of slaves. The plan is to acquire sufficient funds to acquire ships from Silesian pirates who could then transport them to other lands from Brandisium in the south. The Roman Senator Gracchus (Charles Laughton) schemes to have Marcus Publius Glabrus (John Dall), Commander of the garrison of Rome, lead an army against the slaves who are living on Vesuvius. When Glabrus is defeated his mentor, Senator and General Marcus Licinius Crassus (Sir Laurence Olivier) is greatly embarrassed and leads his own army against the slaves. Spartacus and the thousands of freed slaves successfully make their way to Brandisium only to find that the Silesians have abandoned them. They then turn north and must face the might of Rome. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

They trained him to kill for their pleasure. . .but they trained him a little too well. . . See more »


Certificate:

PG-13 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

17 November 1960 (Brazil) See more »

Also Known As:

Spartacus: Rebel Against Rome See more »

Filming Locations:

Spain See more »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend USA:

$92,162, 28 April 1991

Gross USA:

$1,830,650

Cumulative Worldwide Gross:

$1,836,351
See more on IMDbPro »

Company Credits

Production Co:

Bryna Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(premiere) | (1968 re-release) | (1967 re-release) | (1991 restored) | (theatrical) | (2015 restored)

Sound Mix:

70 mm 6-Track (70 mm prints)| Mono (35 mm prints)| Dolby Stereo (35 mm prints) (1991 restoration)

Color:

Color

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

Kirk Douglas, a passionate Zionist, wanted the history depicted to parallel the story of the Jewish people. He clashed with openly Communist Screenwriter Dalton Trumbo, who was more interested in making this movie a commentary on the Cold War. See more »

Goofs

During the gladiator battle, the black slave just barely catches the right heel of Spartacus with his net, tipping him over. In the next shot, the net is tightly bound around both his knees. See more »

Quotes

[first lines]
Narrator: In the last century before the birth of the new faith called Christianity, which was destined to overthrow the pagan tyranny of Rome and bring about a new society, the Roman Republic stood at the very center of the civilized world. "Of all things fairest," sang the poet, "first among cities and home of the gods is golden Rome." Yet, even at the zenith of her pride and power, the Republic lay fatally stricken with a disease called human slavery. The age of the dictator was at hand, ...
See more »

Crazy Credits

The opening titles appear in a montage of silhouetted Roman sculptures and tablets, which evokes the strength and power of the Roman Empire. The montage ends with a zoom into the eye of a crumbling Roman bust, which hints at the Empire's coming decline and fall. See more »

Alternate Versions

European prints of the film contained a scene in which a nude Jean Simmons bathes in a pond. Stills and lobby cards exist, but the scene has not appeared in any re-issue. See more »

Frequently Asked Questions

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User Reviews

 
Spartacus or How I learnt to live away from Hollywood
5 February 2005 | by filmquestintSee all my reviews

This is Kubrick's farewell to Hollywood. I would have liked to be a fly on the wall. I don't believe for a minute that it was a cordial parting of the ways. I mean, Kubrick never returned, never! With "Paths of Glory" Kubrick gave Kirk Douglas, not just his best part as an actor, but his best movie. By the time Douglas called Kubrick to "take over" "Spartacus" Douglas was already a huge star with too much saying in the matter. Look at it, it's clear. "Spartacus" is more Douglas than Kubrick. Great fun to watch, yes, absolutely. A terrific script by black listed Dalton Trumbo. Some fight sequences unequalled in the history of film. Look at the fight between Douglas and Woody Strode and compare it to the ones in "Troy" or "Gladiator" for that matter. It is sad an embarrassing to realise how low we've fallen. Computer generated images or not. The cast is unbelievable but it's clearly not Kubrick's. The casting of his movies was part of his master plan. He would cast a Ryan O'Neil as Barry Lyndon for instance so he can blend perfectly with the magnificent tapestry, without adding any colours of his own. The same can be said of Keir Dullea, in 2001, a robotic non entity in a showdown with a voice. When he needed actors to be at the very pinnacle of his universe he went to Peter Sellers, Malcolm McDowell or James Mason. Even the casting of Tom Cruise made a lot of sense. He used the star and his wife to talk about the dreamlike powers of betrayal. In "Spartacus" Tony Curtis, plays Antoninus, a teacher of the classics. A campy idea never seen in a Kubrick film, before or since. To be fair, there are some spot on, brilliant pieces of casting. Charles Laughton is, as usual, superb. Peter Ustinov, terrific. Laurence Olivier manages to give a multifaceted portrait of weakness, fear and greed. Jean Simmons makes the reason to survive totally believable. But the cutesy love scene between her and a shiny muscular, coiffed Spartacus is truly terrible. As a final blow, the scene is enveloped in a sticky, corny music theme. Having said all that. Don't you dare missing this epic. I'ts Kubrick's goodbye to Hollywood and like everything else that the master said or do, he really meant it.


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