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The Night of the Hunter (1955)

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A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real daddy hid $10,000 he'd stolen in a robbery.

Director:

Charles Laughton

Writers:

James Agee (screenplay by), Davis Grubb (based on the novel by)
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4,908 ( 381)
2 wins. See more awards »

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A lawyer's family is stalked by a man he once helped put in jail.

Director: J. Lee Thompson
Stars: Gregory Peck, Robert Mitchum, Polly Bergen
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Cast

Complete credited cast:
Robert Mitchum ... Harry Powell
Shelley Winters ... Willa Harper
Lillian Gish ... Rachel Cooper
James Gleason ... Uncle Birdie Steptoe
Evelyn Varden ... Icey Spoon
Peter Graves ... Ben Harper
Don Beddoe ... Walt Spoon
Billy Chapin ... John Harper
Sally Jane Bruce ... Pearl Harper
Gloria Castillo ... Ruby (as Gloria Castilo)
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Storyline

It's the Great Depression. In the process of robbing a bank of $10,000, Ben Harper kills two people. Before he is captured, he is able to convince his adolescent son John and his daughter Pearl not to tell anyone, including their mother Willa, where he hid the money, namely in Pearl's favorite toy, a doll that she carries everywhere with her. Ben, who is captured, tried and convicted, is sentenced to death. But before he is executed, Ben is in the state penitentiary with a cell mate, a man by the name of Harry Powell, a self-professed man of the cloth, who is really a con man and murderer, swindling lonely women, primarily rich widows, of their money before he kills them. Harry does whatever he can, unsuccessfully, to find out the location of the $10,000 from Ben. After Ben's execution, Harry decides that Willa will be his next mark, figuring that someone in the family knows where the money is hidden. Despite vowing not to remarry, Willa ends up being easy prey for Harry's outward ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Towering above all others...a motion picture that will not easily matched or forgotten! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM

Country:

USA

Language:

English

Release Date:

24 November 1955 (Argentina) See more »

Also Known As:

The Night of the Hunter See more »

Filming Locations:

USA See more »

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Box Office

Budget:

$795,000 (estimated)

Cumulative Worldwide Gross:

$2,001
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Robert Mitchum's autobiography contains many spurious accounts of the making of the film; one, for example, concerns director Charles Laughton, and how he supposedly found the script by James Agee totally unacceptable, rewriting it himself. This has been disproved by the discovery of Agee's 293-page first draft, back in 2004, which is, scene-for-scene, the film that Laughton directed. See more »

Goofs

The film is set in the 1930s, but John wears 1950s sneakers. See more »

Quotes

[repeated line]
Rev. Harry Powell: [singing] Leaning... leaning... safe and secure from all alarms. Leaning... leaning... leaning on the everlasting arms.
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Connections

Referenced in ER: Jigsaw (2006) See more »

Soundtracks

The Lullabye
(accompanying the barn-scene)
"The Lullaby" (1955) (uncredited)
Music by Walter Schumann
Lyrics by Davis Grubb
Sung by Kitty White
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Frequently Asked Questions

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User Reviews

 
Overwhelming
6 November 2005 | by Felix-28See all my reviews

I was lucky enough to see this in a cinema with a restored print. I had previously caught a snatch of it while channel surfing cable TV, and saw enough in about 30 seconds to realise that this was worth watching through if I got the chance.

I could barely speak at the end of the film. Pauline Kael called it one of the scariest movies ever made, and she was absolutely right. Robert Mitchum becomes the embodiment of evil, and his pursuit of the children is so relentless, and so menacing, that it becomes impossible to believe that they can escape. The images are brilliant; there's a depth to black and white that colour somehow lacks, and it is used superbly here to create a sense of brooding terror.

I didn't mind the homily at the end. Like everything else in the film, it is done with utter conviction, and this makes it work. Charles Laughton saw it as the indispensable conclusion to the film, and the strength of his belief makes it indispensable.

The images are so much part of the film that it must lose a great deal on the small screen, although my minimal exposure to it in that environment showed that it was still well worth watching, but if you get a chance to see it in a cinema, jump at it.


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