Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Blanche DuBois, a high school English teacher with an aristocratic background from Auriol, Mississippi, decides to move to live with her sister and brother-in-law, Stella and Stanley Kowalski, in New Orleans after creditors take over the family property, Belle Reve. Blanche has also decided to take a break from teaching as she states the situation has frayed her nerves. Knowing nothing about Stanley or the Kowalskis' lives, Blanche is shocked to find that they live in a cramped and run down ground floor apartment - which she proceeds to beautify by putting shades over the open light bulbs to soften the lighting - and that Stanley is not the gentleman that she is used to in men. As such, Blanche and Stanley have an antagonistic relationship from the start. Blanche finds that Stanley's hyper-masculinity, which often displays itself in physical outbursts, is common, coarse and vulgar, being common which in turn is what attracted Stella to him. Beyond finding Blanche's delicate ...Written by
The position of the collar on Stanley's silk pajamas changes between shots, varying between up and down. See more »
Can I help you, ma'am?
Why, they told me to take a streetcar named Desire and then transfer to one called Cemetery and ride six blocks and get off at Elysian Fields.
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The scene in which Blanche and Stanley first meet was edited a bit to take out some of the sexual tension that both had towards each other when the film was first released in 1951. In 1993, this footage was restored in the "Original Director's Version" of the film. The three minutes of newly-added footage sticks out from the rest of the film because Warner Brothers did not bother to restore these extra film elements along with the rest of the movie, leaving them very scratchy due to deterioration. See more »
Vivien Leigh Gives One of Cinema's Greatest Performances
Tennessee Williams himself wrote of Vivien Leigh"s performance in "Streetcar Named Desire": "She brought everything I intended to the role and even much more than I had dared dream of".
Brando is wonderful as Stanley Kowalski, but the new viewers to the film seem to come away with the haunting greatness of Vivien Leigh in what is one of the most harrowing and shattering pieces of acting ever committed to film.
Although some have expressed regret that Jessica Tandy did not repeat her stage performance, it is probably good to note that her husband Hume Cronyn and Elia Kazan (the director of the film and play) both never felt that Tandy quite got the character right. If you listen to the radio performance of extracted scenes that Tandy gave on the occasion of the Pulitzer Prize award, it will reenforce the perfection of Leigh's inflections and innate understanding of the role. This inner and complete understanding is what Brando praises Leigh for in his autobiography. He agrees that she plays this Hamlet of female roles better than anyone because he felt she was quite like the character...sadly.
If anyone is interested in great acting check out "Streetcar" for Vivien Leigh's Academy Award winning performance. The supporting cast is outstanding from Kim Hunter and Karl Malden (both Oscar winners for the film)to, of course, the iconographic T-shirt-torn Brando.
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