The story takes place in feudal Japan, when any commerce with the rest of the world was strictly prohibited. An idealist suddenly appears in an isolated inn (the one that the title refers ... See full summary »
A shy lady's companion, staying in Monte Carlo with her stuffy employer, meets the wealthy Maxim de Winter. She and Max fall in love, marry and return to Manderley, his large country estate in Cornwall. Max is still troubled by the death of his first wife, Rebecca, in a boating accident the year before. The second Mrs. de Winter clashes with the housekeeper, Mrs. Danvers, and discovers that Rebecca still has a strange hold on everyone at Manderley.Written by
Col Needham <firstname.lastname@example.org>
In the outside take of Manderley seen in the scene where the Narrator stares at one window being closed, it's a miniature, as is the 'Mrs Danvers' dummy dressed in black. You can realize this by the motion of the window as it's being closed, not in a continuous way, but by little fast jumps, which look too unreal. See more »
You know, old boy, I have a strong feeling... that before the day is out, somebody's going to make use of that... rather expressive, though somewhat old-fashioned term ''foul play.''
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The original 1940 credits read "Selznick International presents its picturization of Daphne Du Maurier's 'Rebecca'". The credits on the re-issue version read "The Selznick Studio presents its production of Daphne Du Maurier's 'Rebecca'". See more »
The opening credits were re-done (with different font) for the 1950's re-release of the movie. It is these credits that have turned up on all telecasts of the film (even as recently as 2013) and all previous video releases. The Criterion release (which is now only available through outlet stores) restores all of the credits to their original form. See more »
If you want to be totally enthralled for two hours just watch 'Rebecca'!
Hitchcock felt 'Rebecca', his first Hollywood film, was a compromise, but as a viewer I just can't fault it. It's a masterpiece in my opinion, full of suspense, mystery and brooding atmosphere. It's also one of the most romantic movies I've ever seen. I've watched it several times over the years, and even now that I know all the plot twists and turns (quite shocking on your first viewing), it never fails to hook me in. One of the reasons it really works is the flawless casting. I'm not much of an Olivier fan but he's superb as de Winter, with just the right mixture of charm and coldness. And Joan Fontaine is just perfect as de Winter's new bride. I can't spot an unconvincing moment in her performance and can't imagine any other actress in the role. Hitchcock subsequently used her in 'Suspicion' with Cary Grant. She was also excellent in that but 'Rebecca' is a much stronger movie. The supporting cast also includes some brilliant performances, especially Judith Anderson ('Laura') as the extremely creepy Mrs. Danvers, George Sanders who plays Rebecca's slimy cousin, and Nigel Bruce in a typical role as de Winter's bumbling brother-in-law Major Lacy. Sanders subsequently worked again with Hitchcock in 'Foreign Correspondent', and Bruce played Cary Grant's lovable pal "Beaky" in 'Suspicion'. I sometimes think that Hitchcock's 1940s movies are overlooked by many because they are regarded as being too "old fashioned", but for me movies like 'Suspicion', 'Saboteur', 'Lifeboat' and 'Spellbound' are some of the most entertaining movies Hitchcock ever made, and 'Rebecca' is the best of the lot. If you want to be totally enthralled for two hours just watch 'Rebecca'!
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