20 years after the end of WWI, in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state and the decimation of the Jews. This situation is unknown to a simple Jewish Tomainian barber who has been hospitalized since a WWI battle. Upon his release the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, whom he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a desire for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator of neighboring ...Written by
When Jack Oakie (Benzini Napaloni) first visits Adenoid Hynkel (Charles Chaplin) in his palace, Oakie greets Chaplin with a Yiddish expression, which, loosely translated, means "How's it going?" See more »
(at around 12 mins) Some of the time that the Barber and Schultz are upside down, they are backwards. They actually switched seats and the Barber is now on the right, instead of the left where he properly belongs. See more »
Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.
See more »
[Prologue] This is a story of a period between two World Wars -- an interim in which Insanity cut loose. Liberty took a nose dive and Humanity was kicked around somewhat
Chaplin altered the credits of this film in order to remove all references to United Artists. The alteration features a new copyright notice that does not match the aspect of the original titles. See more »
The Great Dictator is a beyond-excellent film. Charlie Chaplin succeeds in being both extremely funny and witty and yet at the same time provides a strong statement in his satire against fascism. The anti-Nazi speech by Chaplin at the end, with its values, is one of filmdom's great moments. Throughout this movie, I sensed there was some higher form of intelligence, beyond genuinely intelligent filmmaking, at work.
116 of 158 people found this review helpful.
Was this review helpful to you?
| Report this