|Born||in Providence, Rhode Island, USA|
|Height||5' 9½" (1.77 m)|
Mini Bio (2)
Damien Sayre Chazelle is an American director and screenwriter. He was born in Providence, Rhode Island. His mother, Celia Sayre (Martin) Chazelle, is an American-Canadian writer and professor of history at The College of New Jersey. His father, Bernard Chazelle, is a French-American Eugene Higgins Professor of computer science at Princeton University, originally from Clamart, France. Chazelle has a sister, Anna, who is an actress and circus performer.
- IMDb Mini Biography By: omermertcanbolat
Damien Chazelle is an American director and screenwriter. His directorial debut was the musical Guy and Madeline on a Park Bench (2009), his breakthrough came when he wrote and directed his second feature film, Whiplash (2014), which was based on his award-winning 2013 short film of the same name. The film received five Academy Award nominations, including Best Picture and Best Adapted Screenplay for Chazelle.
In 2016 his film La La Land received critical and commercial acclaim, winning all 7 of its Golden Globe nominations, including Best Director, and Best Original Screenplay. It also received a record-tying 14 Academy Award nominations, winning six including Best Director for Chazelle who became the youngest person in history to win a Oscar for Best Director at the age of 32.
Chazelle also co-wrote 10 Cloverfield Lane (2016).
- IMDb Mini Biography By: Pedro Borges
|Olivia Hamilton||(22 September 2018 - present)|
|Jasmine McGlade||(26 June 2010 - 2014) ( divorced)|
Trade Mark (2)
Personal Quotes (84)
In this case, the "thing" is a battle that few people in America had ever heard of. How could a movie called "Dunkirk," in this day and age, draw so many people to movie theaters across the country? It's something of a miracle, a giant middle finger to all the claims that there's no place for big risks on the big screen anymore. This is a work of pure cinema, speaking the same language as the cut from flame to desert in "Lawrence of Arabia" or bone to spaceship in "2001." It's also remarkably specific. It captures something that feels uniquely British - the exchanges near the end of the film for example, as the weary soldiers return, bottling up a tremendous reserve of feeling within just a few words. There's a real poetry in their stoicism; for all the bombs and shrieks of gunfire, this is a quiet film. In that combination of scope and subtlety, the enormous canvas and the tiny, telling detail, it feels closer to the best work of David Lean than any recent movie I can recall.
More than that, it feels like Christopher Nolan. This is a filmmaker who has managed, time and again, to make the most seemingly impersonal projects - superhero epics, deep-space mind-benders - feel deeply personal. "Dunkirk" is, to me, his most personal - and most moving - work yet.