When, one day in 1929, writer Thomas Wolfe decided to keep the appointment made by Max Perkins, editor at Scribner's, he had no illusions: his manuscript would be turned down as had invariably been the case. But, to his happy amazement, his novel, which was to become "Look Homeward, Angel," was accepted for publication. The only trouble was that it was overlong (by 300 pages) and had to be reduced. Although reluctant to see his poetic prose trimmed, Wolfe agreed and was helped by Perkins, who had become a true friend, with the result that it instantly became a favorite with the critics and a best seller. Success was even greater in 1935 when "Of Time and the River" appeared, but the fight for reducing Wolfe's logorrheic written expression had been even harder, with the novel originally at 5,000 pages. Perkins managed to cut 90,000 words from the book, and with bitterness ultimately taking its toll, the relationships between the two men gradually deteriorated. Wolfe did not feel ... Written by
Thomas Wolfe was 6'6", while Jude Law is 6'0" tall. Because of his height, Wolfe was known to write using the top of his refrigerator as a desk, which is shown in a scene in the movie, although the relative height of the refrigerator to the writer versus the actor would have been different. See more »
Maxwell Perkins tells Thomas Wolfe his book needs a new title that will appeal to potential purchasers, and gives the example of F. Scott Fitzgerald changing the title of a novel from "Trimalchio in West Egg" to "The Great Gatsby." The real Perkins, as Fitzgerald's editor, certainly would have known that "The Great Gatsby" was a flop upon its release in 1925 and did not sell well until the 1950s. See more »
The is based upon a true story. In 1929 Scribner Bookseller Publisher Editor Max Perkins (Colin Firth) agrees to publish a novel by Thomas Wolfe (Jude Law). It was said that other publishers rejected Wolfe's novels due to their being overly long, but this did not deter Perkins who was captivated by Wolfe's autobiographical poetic prose. Look Homeward Angel was the result of that collaboration wherein we saw Perkins cut much of the work. Later in their lives when their relationship was somewhat strained Perkins remarks if editors make the work better or different. This story revolves around Wolfe, but we know the Genius in here is Perkins.
Of course, we all know that Colin Firth used to be King of England. (You like saying that, right?) Yes, the King's Speech was one of the best movies I have ever seen.
Back to Genius. Again with "true stories" we are not really sure how much of what we see is actually true and we have to almost accept everything, but when One goes to other reviewers as this One did, this time, we see that not all in the movie was actually true; and in some instances Wikipedia supports some of this. It will be up to you to decide what you want to believe. I could provide examples but that would lessen your interest in doing your research. See?
Colin Firth and Jude Law have, perhaps, given one of their best performances ever. (Well, except for Firth in The King's Speech you would agree, I am sure) We see Law's Wolfe as somewhat out of control at times, too exuberant, too over-confident, too uncaring about people especially his lover, Mrs Aline Bernstein (Nicole Kidman) when he refused to attend an opening night play of hers. At the same time - it seemed - that Perkins wouldn't go on a family vacation because he and Wolfe had work to do. Their obsession with the work of editing Wolf's novel was the only driving force in their lives.
I did not recognize Nicole Kidman as Mrs Bernstein and kept wondering who that was. But the credits said it was Nicole Kidman so there you are. Maybe she should wear her hair longer and keep it black as she was absolutely stunning and beautiful in this movie. Who knew? And the role she played could be considered Oscar Worthy along with Colin Firth and Jude Law. Kudos to all.
We see that both Perkins and Wolfe knew Ernest Hemingway (Dominic West) and F. Scott Fitzgerald (Guy Pierce) and those scenes were pure gold. Perkins was the editor for both Hemingway and Fitzgerald.
We kept wondering when Perkins would finally remove his hat which he wore in every scene except the last one.
We don't often get to see anything of the great writers/authors and the people who help them. This is a good first start and this was a great story. (9/10)
Violence: No. Sex: No. Nudity: No. Language: No.
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