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Love, Rosie (2014)

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Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another...or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
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Phil
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Alice Dunne
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Matthew Dillon ...
Rosa Molloy ...
Katie (5 yrs)
Sadbh Malin ...
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Herb
Damien Devaney ...
Man in the Lift
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Storyline

Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another... or could they? When it comes to love, life and making the right choices, these two are their own worst enemies. One awkward turn at 18, one missed opportunity... and life sends them hurling in different directions. But somehow, across time, space and different continents, the tie that binds them cannot be undone. Will they find their way back to one another, or will it be too late? Based on Cecelia Ahern's bestselling novel "Where Rainbows End", LOVE, ROSIE is a modern comedy-of-errors tale posing the ultimate question: Do we really only get one shot at true love? Written by anonymous

Plot Summary | Plot Synopsis

Taglines:

Let love in. See more »

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

22 October 2014 (UK)  »

Also Known As:

Rosie Dunne  »

Filming Locations:

 »

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Box Office

Opening Weekend USA:

$14,893, 8 February 2015, Limited Release

Gross USA:

$14,893, 8 February 2015

Cumulative Worldwide Gross:

$25,553,956, 30 July 2016
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Based on a book by Cecelia Ahern originally called 'Rosie Dunne' in the U.S. or 'Where Rainbows End' in Ireland where the author is from. See more »

Goofs

Both the Fiat Punto parked near Rosie's house and the Mercedes at the hotel have the same VX02... number plate (possibly identical) despite it being pre 2002. See more »

Quotes

Alex Stewart: Can I be godfather?
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Connections

Featured in Projector: Serena/Love, Rosie (2014) See more »

Soundtracks

"Littlest Things'
Written by Lily Allen, Pierre Bachelet, Hervé Roy', Mark Ronson and Santigold
Performed by Lily Allen (as Lilly Allen)
See more »

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User Reviews

 
promising actress lost in dramatic story that doesn't show drama
26 October 2015 | by See all my reviews

First of all i would not judge this film to strongly, since we're dealing with a sort of coming-of-age drama (although not being a real good excuse, right? producers..?).

When the drama starts of we land in a cliché high school, teenage drama with shy kissing and flat expositions of insecureness etc... The two protagonists are portrayed in their childhood. fair enough. but flat. really flat.

The initial moment of miscommunication between the two protagonists, which is supposed to serve as a foundation for the rest of the drama, is just one single moment of 'both-are-too-shy- to-speak-out-their-love'. It's just one moment, not very dramatic and way too thin to make them be insecure to each other for the rest of their twenties and thirties. From there they loose me...

Important moments, where drama could be cooking and ambivalent moments and intentions - which are the key element for drama - could be exposed, the writer just jumps over those moments and continues the story with only the consequences of that drama... and leaving me dissatisfied. It gives the film very irrational time-leaps. It's like me looking at my girlfriend saying: ...ehh...what just happened? Did i miss something? Contributing to this feeling is the horrible make-up. At some point the story takes a jump of 5 and guess what? Nobody changed. Literally. a few scenes further the make-up must have thought: 'shit, we forgot something!!' and suddenly, out of the blue, Collins has a few gray hairs behind the ears...

Altogether, this makes the flow of the movie slow and unbelievable. It makes the actors being mere puppets then initiators.

With that comes the very dissatisfying acting of Claflin and his love-affairs, as most of the other extra's. Collins stands alone and stands. She is, as far as i can judge, ready for a strong character drama. Promising lady!!


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